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admiraldeltafleet · 2 months ago

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ALL Chapter 13 Closing thoughts

Normally, I would have done this in the author's notes at the end of the chapter, but I was feeling too much from finally getting to the end of my very first fic, and also I think I may have had too much to say it might not have all fitted. Anyway, I'm doing it now, so consider this your spoiler warning for my fic if you haven't read it. If so, I would definitely consider doing so, especially before you read this bit, as it discusses the final chapter https://archiveofourown.org/chapters/149705248

So, with that out of the way, let me get into this. This chapter has always essentially been about establishing the new status quo after the tumult of the past three chapters. Everyone had gotten started on their healing journies by chapter 12, but some of them (cough* Alex *cough) still had some ways to go. So, I had to give them enough time not only to finish those journeys, but also to settle into the new way of things once they had done so (and wrap up whatever lingering plotlines that were still hanging).

Honestly, I'm not totally someone to reckon with the fallout of things outside the scope of the fic I am interested. There is a lot to be said about the press and public's reactions to what's happened in this fic and many others, wrangling with keeping Kara's identity secret from her coworkers or the DEO and government. There are dozens of inconsequential actions that any number of the characters do that could be overheard or witnessed that would have far-reaching repercussions, but I don't really dive into them unless they directly interest me or there is something I want to directly address. So yes, someone could totes have seen Kara superseded out of CatCo and figure out her identity or some rando at the DEO overhear Alex call Kara by her name instead of Supergirl, but will probably never happen in my fic because I don't care about that sort of thing.

Now, you may be wondering why I am bringing this up. I bring it up because that is exactly what I am doing in the opening of this chapter. Normally, I wouldn't really bother with any sort of negative outcome between Kara and the government, or at least wouldn't give it it's own dedicated scene. The reason I did this time is specifically because of a fic I read some time ago that never sat right with me. I won't say which, and really this isn't about why that fic is wrong (I don't think it's wrong at all, it just didn't jibe with my personal interpretation of the character, nothing more, nothing less. Everyone is free to write how they please). Anyhow, in that fic, Kara did something similar to what she did in chapter 10 of my fic, and when the president started talking down at her about it, she just let herself be cowed and was like, "yeah, won't happen again. My bad.). I certainly understand this reaction, especially in the context of how Kara can be in both Canon and Fanon, but that's not my Kara. My Kara stands her ground, especially when it comes to Lena. I will admit beyond that, I do deeply enjoy this scene, and I don't regret adding it at all. I did also briefly set it up back in the beginning of chapter 4 when Kara the president's visit (just more so that they had met, so it wouldn't be out of the blue when they talked again in the end)

Another thing from this scene that's more of a mention and less of a feature, but you just know that Lena made Kara a kryptonite resistant suit, and I don't know why the DEO never invested more effort in that. I have a series of headcanons about Kryptonian powers and Kryptonite, so let me know if you want to know more about that, as it is directly involved with how it works in my writings, and also how things like how anti-Kryptonian and anti-Kryptonite technologies work.

Let's talk about titles. For the longest time, I had absolutely no idea what I wanted to title this fic. This is legitimately one of my greatest struggles. I seem to be able to name other people's fic pretty well, but when it comes to mine, I just don't know. For the longest time, my WIP title was Supercorp Secret Marriage which just doesn't make any sense as an actual title. Then, for another long stretch of time, I thought the title was going to be Prime, as the crux of the fic is really when Kara goes Prime mode to rescue Lena (I'm not super duper familiar with the comics, but my understanding is that there are some comics where the supes get a ridiculous power boost, and they are typically called supergirl/man/boy prime. Could not be quite right). Anyhow, that was the best I could really think of, but it never sat quite right with me. Partly because I think it's sort of boring, and also because I was petrified that someone would somehow guess where the story was going, and I wanted to do my best to shock everyone.

The other title I briefly considered was The Day the Sun Fell to Earth. This falls in the same line as a title surrounding chapter 10, specifically in reference to how brightly Kara was glowing as she descended to the DEO, it looked like the sun was falling to earth. I thought that might have required a bit too much of a leap to put together though (I did include it as a bit of a fun reference in this chapter, regardless of the fact no one would really get it but me). This title and the previous had the same flaw in my mind though, because while that scene was really the keystone of the fic, the title only related to that one scene and had nothing to do with anything else in the entire fic.

This is something that was bothering me the entire fic, from the time when I barely had the outline completed. In the end, as you all know, I went up going with At Long Last. These words are from the very final sentence I wrote for the whole fic, and as soon as I wrote them I knew that I had my title. Because, while the first scene of chapter 10 was what I built the fic towards and around, there is so much more to it now, and this sentiment fits so perfectly with what I had already written about Kara's thoughts and feelings about the secret that I was once again struck with the idea that I couldn't have planned it better had I tried.

The build up of this theme really started in chapter 2, before Kara even got together with Lena (as a brief aside, this makes me feel like I'm in school again writing a book report using quotes to support my argument, except for I wrote it and I'm explaining my own thoughts instead of someone else's). I'm just going to post the timeline of quotes as this theme develops.

Chapter 2:

If only he [Kal] would let up on Lena, she thought her life might be perfect, or at least as close to perfect as anything could ever come with the gaping hole the loss of her planet had left within her.

Chapter 3:

“So, it falls to me to preserve my culture, my language, my people, but I feel like I am failing them. For so long I have held them tightly in my heart. No matter how much I love Earth, how much I love the Danvers, Krypton has always been my home. Now, Krypton isn't my home anymore, you are,” Kara pulled back to look at Lena with pleading eyes, “Does that mean I've failed them?”

Chapter 13:

“There‘s a time you might have been right, when that's what I would have seen, but that was before I met Lena,” Kara said, her tone almost wistful, “She helped me accept that Krypton was gone, but still with me. For years while I was in the phantom zone, then on earth, I struggled to even comprehend the death of Krypton, the loss that it caused me. There were times, even after I had been on earth for years that I would wake up and forget what had happened, despite the fact that I had watched the whole thing with my own eyes. “Some days in that moment just before I opened my eyes, I expect to see my bedroom, to be able to look out over the skyline of Argo and see the red skies beyond it, and every time I woke to see our bedroom in Midvale, or my apartment, every time the window showed me National City's skyline and skies of blue, I broke all over again. And while I love you, I truly do, and Eliza, and everyone else I had on earth, it couldn't plug the whole that the loss of Krypton had made.” Kara paused for a moment, looking out of the window with a far-off expression on her face, as if in that moment she was seeing the cityscape Krypton out past the glass, but it lasted for only a moment before she continued speaking, her attention returning to her sister as she did so, “Then I fell in love with Lena. She was the first one to even come close to filling the void within me. She learned Kryptonese, not to help me acclimate easier to earth, or from some sense of idle curiosity about where she had come from, but because she knew how much it meant to me, how much it gladdened me to hear it even while it tore the scars off my wounds. Little by little, piece by piece, even before I realized she was doing it, she filled that void, until one day there wasn't a void anymore, there was only Lena. The pain was still there, but it was no longer debilitating. I no longer woke in the wrong bedroom, or on the wrong planet, I woke up to her.” ... “What I want, more than anything,” Kara said, bringing Alex's attention back to her, “Is for my family to accept my wife. I didn't need the black mercy to tell me that.” ... Kara looked around, her friends and family surrounding her, laughing and joking, drinking and playing. Lena was tucked into her side, completely at home amongst everyone, her wife was laughing openly at something her sister had just said, and finally, at long last, everything was perfect.

This theme is really what brought so much of this fic together in the way it did, and it weaved throughout my preferences to form new headcanons and all the lore about Kara and Kryptonians that helped me so much to sell this story. I love all the ideas that came from this fic so much that they have just become my default settings for Kara and Krypton going forward. This is my Kara, even more so than the one I came into this process envisioning, and I think that theme was much more worthy of the title than just that one scene (I still adore that scene though, don't get me wrong, but even it is so much better in light of the headcanons this story helped me build).

Well, I've already written so much, and I haven't actually even started reading back through the chapter yet, so I think I am going to do that so I can go back to the more "normal" word vomiting I usually do.

If anyone was curious exactly what Kara was implying when she was talking to the president right at the end, she was totally telling her that while her disguise might have been fooling everyone else, it was not fooling her. Kara totes knew she was an alien, and if the president was going to go mucking about in her family, Kara was more than capable of firing back. It might not be a morally great action, but I've always viewed Kara as someone who's family comes first over anything else.

Something else about this that no one may realize though, is that Kara does still hold them to a high standard of morals and behavior. There is one little tiny word choice that really shows that in this conversation she has with the president. When Kara is laying down the law, she says, "...if the DEO or any other agency of the government does come after Lena without valid reason." Notice, Kara specifically says, "without VALID reason," and that is an intentional word choice by both her and me. Kara would not let anyone, not even Lena, do anything morally corrupt or villainous and let them get away with it just because they are her family (She also does say this with complete confidence that Lena would never give valid reason though). She would probably still prefer to take care of it herself than let the government step in, but I digress. I talk about things like this a lot as absolute, but these are more guidelines for me, and I totally might bend them for certain fics in the future to get out an idea I have though.

I threw Lucy into this scene for no other reason than because I wanted to. Really there was nothing else behind it.

You all just know that Lena was waiting for that moment at game night where she finally got to stake her claim in public, really hammer it home even though everyone technically already knew. Speaking more on that scene, as much as I don't like certain characters (James and Mon-El) I do try not to take out my biases, valid or not, on them in my writing. I did definitely sideline them since I didn't care to write much about them than was needed, but I don't feel like anything I wrote about them was either untrue to their character nor unrealistic in an effort to justify my choices. I stand buy it. Actually, as a matter of fact, I almost convinced myself that Mon-El wasn't as bad as some of the things that sort of get glossed over in canon. In the future, I may just exclude them from my fics, though without Mon-El in this one, we wouldn't have gotten that scene where Lena was possessive and jealous.

As much as I don't necessarily care for Winn as a character (I don't dislike him, but neither do I have any particular fondness for him, nor do I think he should have come to the DEO in season 2 (hence I brought brainy instead)) He did do me a solid in this chapter and chapter 5 by giving me a path through some difficult-to-write interactions.

So, I will readily admit that I definitely just brushed CADMUS and Lillian aside without much thought or wordcount. I never really cared too much about that plot by itself. It was definitely the B plot. It only really served to push the secret relationship agenda forward by butting Kara and Lena into odd spots where the cracks started showing a bit (by making Kara act up, so that Alex would notice it essentially), then obviously they put up a big part of the plot by getting Lena arrested. After that was done though, their role in the story was over, so off they went into the sunset without much fanfare.

I love the little call back I had to chapter 3, when Alex was thinking about Kara and Lena, and she was like, "I bet if Lena pushed Kara she would just fall over. It's a ridiculous thought though." I cackle every time I read that part, no matter how many times it's been.

I could probably write a full TED talk about every paragraph in this chapter, and every other chapter for that matter, and I think this post is already ludicrously long, so I will try to only hit the main parts I wanted to address here, and maybe pick up some of the other bits when I do the further posts I have planned.

That being said, there is maybe my second favorite scene in this entire fic that I've yet to say anything, and that is the moments between Alex and Lena after Lena saves Alex from the kidnapper. I won't lie, I definitely lean a bit more towards Kara than Lena, but this scene is something that I just love more than I can express. I love to see that protective side from Lena that we are used to seeing from Kara, and Lena finally got to say her piece after so long spent holding it in. It was very hard to get that scene to flow well and I spent at least an hour writing just those few lines of Lena's dialogue. I think part of it may be that Alex just seems to never be held accountable for any of that. Some of the scenes I included in the flashbacks were just to justify having Lena bring up all these points and hold Alex accountable for it, and don't even get me started on that threat she leveled at Alex. I wrote that and it still gives me the chills every time I read it. I love literally everything about this scene, down to the smallest detail.

Anyway, I think I am going to call this here. I still have some plans to go back through and make a few more posts. There are still quite a few details and such that I packed in there that no one has, as far as I know, noticed. I wanted to go through them, since I love them, and bring them to everyone's attention so they can enjoy them like I do. Secondly, there is so much that I feel I learned in answering everyone's questions, where I feel like I know twice or thrice as much about all the characters and their motivations than I did when I started, and I want to parse back through all that. If I may brag for a moment, I think my greatest strength as a writer is how cohesive everything is, and by answering all the questions you had I learned more about my fic then I know when I posted it, and I love just how perfectly it all fits. Anyway, if anyone actually made it this far, let me know if any of that is of any interest to you

#supercorp #At Long Last

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grimmbitty · 1 year ago

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Okay kind of a different post than my normal stuff but I did just want to put all of these in one place. These are my character analysis slides that I’ve been working on!

Breaking down the character of Billy Batson has been so fun for me, and its by far my favorite part of the writing process. So here’s what I have so far for my interpretation of the character.

Here is my first slide where I breakdown the basic overview of my story. Just outlining the basic plot summary, the story’s themes, and the basic character arc for Billy.

As you can see it’s very similar to the first movie I’ve just modified some things here and there to add my own fun twist to Billy’s origin story.

[ MORE SLIDES BELOW ]

In this slide is where I breakdown Billy’s passive motivation, something I see that is necessary for all superhero characters. Similar to Spider-Man’s “power and responsibility” thing, and similar to how Batman protects and values all life because his life was forever changed by a random act of violence.

I think Billy’s passive motivation to do good is really, deeply rooted in the injustice that he witnesses throughout his childhood. He’s especially receptive to the problems of children and other vulnerable groups because as a member of those communities, he knows they get overlooked often.

This next slide is my character breakdowns. This shows my main character and all my important side characters. They each have a lesson they inadvertently teach Billy, helping him along his path to become a good hero.

They each play a role on the team, giving them fun dynamics. This allows them all to have distinct personalities allowing for fun dialogue, banter, and character moments.

The only character you might not know on this list is Samara. She is my version of the character Cissie Sommerly. Cissie is a classic Captain Marvel character who’s most recent comic book appearance was 1978. Woof. So I thought it would be a fun idea to modernize her and bring her back into the spotlight, serving as a glimpse into the average Fawcett citizen’s reaction to the new hero, Shazam.

This next slide is a closer look into Billy’s character flaws. Showing how at first he is hesitant to being a brother and being a hero. It kinda explains the mistakes he makes at first that he has to learn to overcome, and shows how his introspection will help him accept his roles as both a brother, and a hero.

Next we have something that if I could add to the 2019 film, I would. I love love love the 2019 version of Shazam but if I could add a little more expansion of Billy’s mother into the plot, I would.

I think is really important to the core of the character. This next slide I like to call “The Dark Reflection”.

I think that upon meeting his mother, Billy realizes that they are scarily similar. That she was also selfish, careless, and only interested in meeting her own needs. This lack of compassion and responsibility from her are the reasons she ended up abandoning Billy, leaving him in the foster system once she was released from prison and having zero interest in raising him.

Billy sees the mistakes she’s made in life and realizes that he is making the same ones, prioritizing his own wants/needs over anything else, and being just overall emotionally detached.

This scares him into re-evaluating his own behavior and consciously choosing to become more compassionate for others and foster a real sense of responsibility to use his powers wisely.

Next up, we have what I like to call “The Pillars of Character”. These are the three main “pillars” I see that are most prevalent in Billy’s story.

It’s important to me that all three of these pillars intertwine with each other, hence why I wanted to explore a little more about Billy’s mother. Adding a little more flavor text to why she is Billy’s dark reflection really helped me keep a balance between these three aspects of his character.

I also just think having all three pillars effect each other keeps a nice balance between all the aspects of his character. Showing how his character flaws effect different parts of his life and how Billy learns to grow and change for the better.

In summary, this is what I have for Billy’s character breakdown, showing his character arc for his origin story and how he learns to grow into a hero. Anyways, I hope you enjoyed because I had a fun time making this! I also have a lot more to share like individual character sheets for Billy and all my side characters, Three act story structure break downs, and other stuff too. So if you like this one maybe possibly I could do a part 2 soon.

Okay byeeeee!! ⚡️💕

#billy batson #captain marvel #captain marvel dc #dc comics #fawcett comics #shazam #shazam 2019 #shazam: fury of the gods #Shazam:CoBL

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squidkidnerd · 8 months ago

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Operation Atlantis Notes - "Sango" (Chapter 8)

Chapter 8! We're only 2 chapters away from the end of part 1 guys, can you believe it? The end of part 1 is in 2 chapters! Woohoo! I am so happy about this information. The end of part 1! Just two chapters away, oh wo—

So, this chapter was pretty fun to write. I finally feel like I'm starting to hit my stride with these, so hopefully that means I can get them out faster (or not, because Side Order busted into my house and gave me a million plot ideas because of course it did). As you probably know from reading the chapter, this one is another transition (like last chapter... and chapter 6... and chapter 4). Aka, there's a hefty chunk of filler and not much major plot stuff going on, but hey. You need build up for plot points to actually work. And besides, it's pretty fun.

Something I really enjoyed about this chapter compared to the similar ones I've written, though, is the foreshadowing. As you probably could've guessed, there's some big and juicy stuff coming up in Chapter 9. Look forward to that whenever it comes out (which may be a while because again, Side Order busted into my house with a million plot ideas).

Opening poem: I like this one. It's pretty simple, and sweet. The flower metaphor also works well with later in the chapter. Not much to say about this one, it's just about Eight's journey as a whole and not anything specific.

The Interview: Oh look, it's Lila again. Not much to say about this particular scene. As you could've guessed, I really like reusing characters when I can because it gives more depth and dimension to them instead of them only appearing like, in one specific set of circumstances. Giving them different opinions helps too! Anyways, onto something more substantial.

Eight, Three, and the Calamari Inkantation: Oh no, it's my greatest weakness—cute agent 24 scenes! So yeah, I love this scene. Eight and Three are so absurdly, astronomically different from each other, and yet here they are, connecting over a simple song. The symbolism of the Inkantation in general is something I really love, because art really does hold the power to connect people. You guys are all connected to me through this fic, after all! Three singing it isn't only just about giving Eight the rest of the lyrics, it's an expression of vulnerability. Three is self-conscious about her singing, but she sings it anyways. Why? Because she wants to connect with Eight. And at the end of the day, what is connection but not continued moments of mutual vulnerability?

Turfing!: Woot woot, it's Three beating people up time! Fun fact, I wrote part of this scene in my crowded high school cafeteria. You think I would learn from this mistake, but I'm typing this right now in my crowded high school cafeteria. Anyways, I thought incorporating Three's confusion about Splatoon 2 mechanics added a little spice to this scene. Also, I had to reference the orange-blue color palette just because. You know, because it's the classic colors of the first game, and because of Inner Agent 3... I'm sure the latter won't be relevant later :).

Investigating at the Library: These were a sweet couple of scenes to write. I love Iso Padre, especially when he shows his caring side. I imagine his hugs are very pleasant due to having multiple arms. Anyways, it was interesting to write Eight's reaction learning about Inkling-Octarian history. Because she doesn't remember it, she really doesn't empathize with it in the way she should. The way I see it, it's like learning about history that happened before you were born versus what you actually remember. Broad overviews of history are essential to get the context, but you can only understand the emotions through more specific accounts.

The Void of Eight's Past: Okay, this isn't a scene technically, but a paragraph, but I wanted to highlight (it's right at the end of the library scene, and begins with "Eight grabbed it."). And well, that's because my beta really liked it, and looking back on it, I do as well. There's a sort of horror to Eight's amnesia that I've seen crop up in several fics—this idea of not knowing who you are, of your memories, which are everything that makes you you, being stripped from you. I absolutely adore it, and I wanted to explore it here. My beta also told me that's how they feel being mixed sometimes, which I think is pretty cool! I'm not so I didn't necessarily write it with that in mind, but I'm glad they connected with that! Overall, I think it shows how we're more similar than different... that kinda got off topic.

Fates and Daffodils: One of my favorite things about the market scene was inserting my Octarian headcanons, particularly about the Fates. I really like the concept of the three of them and I can't wait to weave their symbolism into the rest of the fic. With Haisho, who represents growth, I felt it fitting to tie her to plants. Flowers in particular are connected to her because their blooms represent the beauty that can come from growth. With that in mind, of course I had to put in some flower symbolism. As mentioned in the fic, daffodils are one of the first flowers of spring—which for Eight, represents the beginning of her healing after the "winter" of losing her memories. What will happen next? Who knows.

Selfie at Central Park: This scene. THIS SCENE!!! I'm gonna be real with you guys, this is one of my favorite scenes of Eight and Three interacting that I've written so far. There's just something so tender and vulnerable about it, but at the same time, withdrawn. It strikes a great balance, I think, of both the vulnerability and awkwardness present in Three and Eight's relationship at this time. They're both starting to see each other in a different life—Three is starting to see Eight as more than a generic enemy of her people (and maybe even a friend shhh), and Eight is realizing that despite how she acts sometimes, Three is ultimately not as scary as Eight thinks them. The selfie, in fact, not only serves as a release of tension, but also a form of symbolism. This is one of the first times Three and Eight truly connect... what will mean in the future?

Mundane (Or Ominous) News?: Not much to say about this scene other than it will be probably be a fun one to reread once chapter 9 comes out. Yeah, it's foreshadowing. What could it mean? Who knows? (I know). I really love playing up the kinda unsettling imagery surrounding Eight's memory loss, so I'm glad I got to put that here.

And there you go, that's chapter 8! As you probably could've guessed, chapter 9 is a big one. It's the penultimate chapter of part 1, after all, so it makes sense. I'm really looking forward to writing it! However... Side Order busted into my house and gave me fic ideas, because of course we can't have nice things. Look, I absolutely love alternate realities that affect people not physically but psychologically (is a Persona fan) okay! Of course I came up with plot ideas. The main one I have in mind is Monochrome Malaise, which is sorta-rewrite that fixes some issues I had with Side Order. It's very fun and I can't wait to get into writing it! However, I also really want to get part 1 of this thing finally fully OUT and I can't do that working on an entirely separate project, so... Yeah. Who knows what'll do. Whatever happens, I'll let you guys know. No matter how long we go between updates, I'll never abandon this fic!

#ari's updates #writing notes #operation atlantis writing notes #chapter 8

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stygiusfic · 2 years ago

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styg’s story thoughts (I): character reactions

(This post is brought to you by my wonderful friends who asked about my thoughts on plotting!)

We tend to think of plotting as what happens next or what the characters do, ie. action. But stories are a cycle of action-reaction, and we don't always give the reaction part its full weight. Three-act structure has both action and reaction beats, yet the so-called "major" beats that manuals like Save the Cat recommend defining first are all action: Catalyst, Break into 2, Midpoint, All Is Lost, Break into 3...

Of course all of those have matching reaction beats, so reactions aren't being ignored by the 3-act model; it's just that the established process is to figure out reactions after you've got the action down. Chronologically, that makes sense. But I think that leads us to see reactions as the less important half, when in fact they are what breathes life into any story.

I've been thinking about this a lot lately, and it's helped me feel a lot more connected to whatever I'm writing, so I want to talk about it here.

Reactions shape a story to a degree that sets it apart from others with similar chains of events. Because anything could happen to anyone—but people rarely view or feel about everything the same exact way. The same events told from different perspectives can radically change what type of story it becomes!

Imagine this: if you're going somewhere with plenty of time to spare, and you miss the train you were planning to take, well, it's alright, you can wait for the next one, or maybe walk partway. But if you're running late, like I often am, and you miss the train, you're probably going to get really stressed out. And if you were going somewhere important to you, there will be an added layer of urgency and frustration when you miss the train, making that seem even more dire.

What I mean is: no event is intrinsically significant. The characters' reactions make it so.

Any event is important in the eyes of the story and the audience only to the degree that the characters assign importance to it. And this degree of importance also determines who the characters are, which in turn answers the question of what they do next.

Here's a classic example that blew my mind when I heard it phrased in these terms recently: Shakespeare's Othello.

The action that jumpstarts the tragic spiral—Iago planting Othello’s wife’s handkerchief in Cassio’s room—is in itself only significant because of Othello's reaction. If Othello had decided to not freak out and jump to conclusions when he discovered it—if, instead, he'd had a healthy conversation with his wife and cleared up Iago's deception—the story would have been very different! But Othello reacts with jealousy and mistrust of Desdemona (as Iago wanted him to). Those feelings fester, and move him to eventually kill her and, later, himself. That’s why the story becomes a tragedy—because Othello’s reactions leave no room for any other outcome.

And it starts with a stupid handkerchief! But the handkerchief is important to us because it's important to Othello.

This is why, when trying to come up with "big" moments for an outline, sometimes rather than starting with actions it's easier to think first: what kind of reaction am I looking to provoke at this stage? Am I looking for a turn for the better or a turn for the worse? And then second: what kind of action would trigger that reaction?

The ways in which characters care, or don't—and by extension the ways we as the audience care—make up a big part of the story and can define tone and genre as well.

Another example: imagine a character commits murder.

Murder is an act that we can all universally agree is big and bad and world-shaking. There are countless stories that center around a murder (or many) and how they shape the lives of the characters who suffered in the wake of that act, creating stories of revenge or disillusionment or justice.

In those stories, murder is Big. But then on the other end of the spectrum, we have Tarantino movies, where characters will shoot someone and not even look while they do it, and the story moves on unbothered. This lack of reaction is a kind of reaction too. It tells us: this is a story in which murder is small and easy and the deaths of random people are unimportant. We don't linger in the unimportant. Those murders carry no moral weight for the audience; we're likelier to feel amazement at the fake blood fountaining on-screen than mourn the loss of a life. But the story will linger in the deaths of characters who are significant, like Bill in Kill Bill. The time spent in his final monologue and the unpacking of motivations and consequences set him apart from the nameless dead and honor his importance to the story.

I believe this is, in part, what people are trying to communicate when they say "show, don't tell". (Which is flawed advice for prose, especially if taken to the extreme, because it was originally an adage for theater, but anyway.) What it means is, if you want the audience to perceive something as important, show the character reacting to it like it's important. Spend time and words in the moments that affect your characters. If you just "tell" the information and move right along, and we don't see any notable reaction, we can assume it's not important and we don't need to emotionally attach to it.

This is an oversimplification. Sometimes telling is preferable to showing, because showing takes more words and being straightforward has its own place. (And sometimes telling lets you set things up discreetly on the side so you can expand on them later, so you just make them seem unimportant until they're not. There are a million reasons to tell instead of show.)

But I really love that deciding how much time and space you spend on reactions shapes the action and pacing and feel of the story. Every genre you can think of that "feels" a particular way when done right feels that way because reactions are consistent with the inner logic of the genre. (Meeting a certain stranger a number of times in different places can be exciting in the set-up of a romance; but if it's a thriller, the character noticing the pattern may well be concerned instead.)

I've been trying more than ever to look for big reactions, and reverse-engineer the events that would prompt them by getting at the heart of the character, because watching someone care too much is way more engaging than watching them care only a little.

#styg story thoughts #writing thoughts #this may become a series of posts who knows #the blanket disclaimer is all writing advice is flawed and deeply personal #and you should pick and choose what works or doesn't work for you

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princess-of-inarizaki · 4 years ago

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Haikyuu manager headcanons!!

Okay so these adorable teams all have the softest spot for their tiny little manager-chan, and here's how they all treat her.

[Ari's note: okay manager fics and headcanons are my absolute favourite and I love writing them]

*.` | Karasuno

They are extremely laid back with you, compared to some of the other teams. They give you your space, at the same time listen to you when you have something to say.

Respectful simps. Similar to how they act with Kiyoko (ugh yes queen-chan) they're in tears whenever you do things to motivate them, like cheer at their practice matches or give them good luck charms.

They still have the good luck charms you fastened on their bag before one of the matches.

Tanaka and Noya would literally worship the ground which you walked on. Like wow how did they get so lucky as to have three?? Cute managers?? On their team??

Yachi and you would probably subtly simp over Kiyoko with them too ngl.

Hinata and Kags would probably see you as an older sister, eventho you're their age because you're so caring and responsible.

Suga is literally your mom and Daichi is your dad. They make sure you're all healthy and you're doing well in school.

Asahi gives you hugs whenever you're sad or upset! Fite me but I think this gentle baby gives the best hugs ever >:( he's like your comfort senpai and you'd do the same for him, especially when he's feeling insecure or down.

Yams would probably be very shy around you, but he'll warm up in time.

Ahhh the best part. Tsukki! He'd find you annoying and simply not get why you're so Mcfreaking happy at first (shut up u salty beanpole, manager-chan is just a ray of sunshine, okay?) But he soon finds it endearing and slowly gets closer to you.

You walk home with Yams and Tsukki every day since your houses are close, and Tsukki walks you to your door to make sure you're safe!

Ennoshita, Kinoshita and Narita all see you as a little sister and often help you with your managerial duties.

The team cares and respects you so much, and are so thankful you've joined them!!

Meat buns at Ukai's are your hangout spot, and everytime you see them chilling you're so thankful to have such great friends.

*.` | Aoba Johsai

Aaah we're at the team of one of my favourite characters!! I'll start with Oikawa (can't you tell I'm so biased omg)

Oikawa absolutely adores manager-chan because although she's tiny, she's very strict, and doesn't let his fangirls near the gym when he's practicing, which he appreciates.

"yn-chan, you're so good to me, can I take you out as a thank-you?" Cue Iwa-chan's ball which comes flying at Oikawa's head. "Stop flirting with the manager, shitty-kawa"

Iwa's very fond of you too, but he doesn't let it show too often. Sometimes he picks up your favourite coffee from the vending machine and claims that he bought it by "accident". (How believable<3)

Kunimi probably sends you weird tiktok videos and tags you in funny memes. Very wholesome 10/10.

Kyotani just?? Doesn't understand you?? Like wow, she's small but the team listens to her?? Why?? He later finds out you're the manager. Mad dork here didn't know you were managing the team for the past month, and thought you just came to the gym to watch them practice. Smh.

Matsukawa and Hanamaki give you headpats and like taking selfies with you, much to Oikawa's dismay. He wants to be the only one taking pictures with you.

Like no manager-chan. Stop. Get away from them. My phone's right here I wanna take selfies with you :(

Kindaichi is cool with you. Y'all are bros and you game together sometimes.

Watari and Yahaba join too, and they're surprised to know that you're so aggressive when you game.

Cue a jealous Oikawa who struggles learning how to game just so he's invited to play with you. Simp smh.

They're all very gentle with you, and since you're their first female manager, they make sure to never make you feel uncomfortable.

You guys like grabbing ramen together and having eating contests. They really bring out your aggressive side but you love them for it.

*.` | Shiratorizawa

Can I just say Semi bsf material? Yes? Yes. Semi Eita is best friend material.

Makes you cute little Spotify playlists and you help him write lyrics to songs occasionally. You play an instrument too and you guys can just jam out for hours on end together.

You get the idea of applying to be the manager because of him, and it all took off from there.

Goshiki loves you. You're fond of your kohāi, and you genuinely just give this touch-starved future ace a lot of hugs and cuddles, which he's SO grateful for.

Like wow, y/n-chan isn't just pretty?? She's also so sweet? And smart? And capable? Semi why have you been hiding her for so long??¿ >:(

Goshiki is just so protective of you, he'd commit murder if he had to.

You have to earn Ushiwaka's respect, yk? And slowly but surely he comes to realise how dependable and responsible you are, and treats you like an indispensable member of the team.

He's got your back. And if he ever senses you're upset, he's trying to cheer you up as best as he can.

"do not feel upset, those grades will mean nothing to you in the future. I doubt you will be able to remember what you got in your second year, third monthly test." You think he's being sweet, and yes he is (in a way), but he's also trying to be reasonable and logical.

Tendo loosens you up and you tend to play pranks on the others with him.

The funniest was when you tried to prank Ushijima by adding wasabi to his onigiri and he?? Didn't get it??

Like "y/n-chan, Tendo, why did you add wasabi to this onigiri? It would've been so much better with tuna mayo??" And he has no reaction whatsoever?¿?

Cue Goshiki who tries the onigiri because he wants to prove he has spice tolerance like Ushijima, eventhough you can low-key see him tearing up.

Shirabu is your voice of reason and you and him often study together. You also have deep and philosophical conversations at 12 a.m. over text, and it is just so wholesome.

He respects you so much, not just because you care for him, but because he finds your brain so fricking smexy.

These eagle babies bring out the best in you and you're always eager to push them forward and bring out the best in them.

*.` | Fukurodani

First thing's first, besides Akaashi, you are the only other person who can cheer up an emo-mood Bokuto.

Just say "Hey Bo, you're gonna look so much cooler when you spike the ball like the true ace that you are" and his hair's all perking up and his eyes are shining.

Akaashi thinks you are an angel sent from heaven.

You're very soft on your baby owls, and they genuinely just love getting positive affirmations from you.

Akaashi always blushes when you compliment him on his sets. And you can hear him murmur genuine words of gratitude.

The other members do too. They're glad because sometimes people focus on Bo too much and forget to give them recognition, yk? It's easy to get overlooked :(

But thanks to manager-chan who's so attentive with all of them, and who's aware of all their quirks and moods, they're all so touched and so so happy.

You have a habit of getting cold pretty often, especially since practice finishes late and it's pretty chilly by then.

Konoha always lends you his jacket and walks you home, since your home's are the closest. There's just something about you that makes you soft.

You get along really well with Kaori and Yukie, and you'd definitely consider them your best friends, considering y'all are in this thang togetherrrr!!

The Fukurodani team are just all a bunch of crackheads, but they're your crackheads and you wouldn't trade them for the world.

You're a very tight-knit family, (like ugh I just get lots of comfortable, safe vibes from Fukurodani :(( <3)

You guys hang out at the store near your school pretty often to recharge after grueling days of practice together.

*.` | Nekoma

My second favourite team, Nekoma!! They are precious, gentle, soft babies and I love them to bits and pieces >:(

I'll start with Kuroo. You've always had a tiny soft spot for Kuroo ever since you've become his lab partner in chemistry class.

His notes are immaculate. I mean, cmon we're all hoes for pretty notes

You think he's so incredibly smart and talented, so when he suggests you become the Nekoma manager, you just agree right away.

You guys grow closer since you've started spending more time with him, and you banter around more often than not with chemistry pickup lines.

"hey kitten, let's form a covalent bond"

He's so whipped after you retort back. Like wow she called me sodium fine and said I'm like an exothermic reaction? Permission to simp??

(Ari stfu this isn't a Kuroo fanfic)

Kenma and you definitely play animal crossing together, and he even lets you try his switch, after you guys grow closer.

Kuroo is so insulted, he's never even touched Kenma's switch before >:(

You also push Kenma to do better during practice and he starts to care more about volleyball, since you seem so enthusiastic about it.

Yamamoto isn't even subtle about his simping smh T-T unlike Kuroo, he shamelessly flirts with you, and can't wait to show you off to Tanaka and Noya at the next camp.

"we have such a gorgeous manager now, Nekoma is ThRiViNg" he says in his head with this ridiculous dopey ass smile on his face +_+

Since deep down inside, you're a huge baby, you, Lev, Shibayama, and Inuoka get along so well. They're just happy energetic kittens, and they make you feel so happy.

y'alls energy just match, yk?

Although Fukunaga is shy to tell jokes, he tells them to you, because he knows you'd never judge him, and you actually kinda enjoy laughing along :) he's so touched.

Momma Yaku!! Yaku always lends you his jacket and makes sure to carry snacks for you in his bag. He knows you care so much about the team that you often neglect your own health, which is why he's always there to make you're feeling healthy and good.

Kai and Teshiro help you with your homework and like talking about their favourite singers with you.

They're all just such amazing human beings who treat you so well, and you feel so blessed to be a part of their team. You adore them so much, and they adore you back tenfold.

*.` | Inarizaki

[Ari's note: Ello there luvs, you've made it to the bottom of this sweet hc post and just get ready for Inarizaki :( they're my favourite team of all time, and I'm just so biased, I'm sorry ;-;]

Inarizaki's entire team just adores you so much, they think you're the light of their lives.

They're all super touch starved babies, and once you realized that, you've made sure to ensure they never feel that way.

Aran is kinda like your protective senpai, and his heart flutters ever so slightly when you call him that senpai kink oops and give him headpats, and he loves patting your head in return.

The twins are so incredibly soft for you.

Their fangirls are sometimes pretty mean, but one glare from the duo is enough to shut them up.

Osamu cooks bentos for you and gives you the warmest hugs when you ask for them, burying his head in the crook of your neck.

Your hand is almost always in Atsumu's because he's so slick?? Like y'all, this mf would be like "y/n-chan, my hand has been aching for a while now" and when you go to observe it, he just pulls your hand into his and pulls you to follow him.

His entire body heats up when you kiss his cheek after a particularly good game, and his brain literally goes "grrrr empty", when he's usually so sly.

The twins are your bodyguards, they follow you everywhere and protect you all the time.

Enter Suna Rintaro, your meme king. He definitely records funny moments that happen during practice and send them to you, just to make you laugh, or memes of the members.

He also definitely takes pictures of you when you aren't noticing, simply because he likes the way your hair looked, or because you looked so beautiful.

Like the twins, his eyes widen whenever you kiss his cheek or ruffle his hair, and it's literally like suna.exc has stopped functioning.

Congrats manager-chan, you broke the kid -.-

Omimi might come across as stoic and cold but he's actually a huge softie, and you often give him positive affirmations.

He's also definitely a huge lover of your hugs, and looks forward to them as motivation to play well.

He'd never tell you though, he's shy™.

My baby Kita compliments you all the fricking time.

"y/n-chan, I mean this is the most sincere way, I think this hairstyle looks stunning on you"

Or "you're so capable and you work so hard, I'm so thankful to have you by my side"

And he has the most genuine expression on his face, his eyes are so earnest and shining so bright.

And when you smile at him, he's like oh shit I made her smile, depression whom? I only know serotonin.

Ginjima is usually rash but with you, he takes his time and weighs everything he says.

He doesn't wanna accidentally hurt you and regret it since he was being careless and not thinking at all.

You calm him down when he's getting too hotheaded with gentle words and he's suddenly a blushing mess.

Unlike some of the other teams that tease you a bunch, Inarizaki treats you so gently. Their little princess, as they think of you.

So mf-ing protective, like if someone looks at you wrong, you can totally bet Atsumu's going for their ankles, sangwoo style, or Osamu is trash talking them to their knees.

Would drop anything and everything to help you if ever needed.

They think you're they're entire world because you go above and beyond for them, and they genuinely love you. Like actually LOVE you to bits and pieces.

—*.`

[Ari's note: AHHH so the manager fic is done this was literally such a joy to write!! I hope you enjoyed it

Big big hugs <3 have a beautiful day, luvs!!]

#inarizaki x reader #inarizaki manager #haikyuu!!#haikyuufanfics #nekoma #inarizaki #seijoh #karasuno #shiratorizawa #atsumu #atsumu headcanons #haikyuu hcs #haikyuu headcanons #haikyuu scenarios #haikyuu managers #haikyuu manager #anime headcanons #kuroo headcanons

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wolfstar-in-color · 3 years ago

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July Colorful Column: Remus is a Crip, and We Can Write Him Better.

There is one thing that can get me to close a fic so voraciously I don’t even make sure I’m not closing other essential tabs in the process. It doesn’t matter how much I’m loving the fic, how well written I think it is, or how desperately I want to know how it ends. Once I read this sentence, I am done.

It’s written in a variety of different ways, but it always goes something like this: “You don’t want me,” Remus said, “I am too sick/broken/poor/old/[insert chosen self-demeaning adjective here].”

You’re familiar with the trope. The trope is canonical. And if you’ve been around the wolfstar fandom for longer than a few minutes, you’ve read the trope. Maybe you love the trope! Maybe you’ve written the trope! Maybe you’re about to stop reading this column, because the trope rings true to you and you feel a little attacked!

Now, let’s get one thing out of the way right now: I am not saying the trope is wrong. I am not saying it’s bad. I am not saying we should stop writing it. We all have things we don’t like to see in our chosen fics. Maybe you can’t stand Leather Jacket Motorbike Sirius? Maybe you think Elbow Patch Remus is overdone? Or maybe your pet peeves are based in something a little deeper - maybe you think Poor Latino Remus is an irresponsible depiction, or that PWPs are too reductive? Whatever it is, we all have our things.

Let me tell you about my thing. When I first became very ill several years ago, there were various low points in which I felt I had become inherently unlovable. This is, more or less, a normal reaction. When your body stops doing things it used to be able to do - or starts doing things you were quite alright without, thank you very much - it changes the way you relate to your body. You don’t want to hear my whole disability history, so yada yada yada, most people eventually come to accept their limitations. It’s a very painful existence, one in which you constantly tell yourself your disability has transformed you into a burdensome, unworthy member of society, and if nothing else, it’s not terribly sustainable. Being disabled takes grit! It takes power! It takes a truly absurd amount of medical self-advocacy! Hating yourself? Thinking yourself unworthy of love? No one has time for that.

Of course, I’m being hyperbolic. Plenty of disabled people struggle with these feelings many years into their disabilities, and never really get over them. But here’s the thing. We experience those stories ALL THE TIME. Remember Rain Man? Or Million Dollar Baby? Or that one with the actress from Game of Thrones and that British actor who seemed like he was going to have a promising career but then didn't? Those are all stories about sad, bitter disabled people and their sad, bitter lives, two out of three of which end in the character completing suicide because they simply couldn’t imagine having to live as a disabled person. (I mean, come on media, I get that we're less likely to enjoy a leisurely Saturday hike, but our parking is SUBLIME.) When was the last time you engaged with media that depicted a happy disabled person? A complex disabled person? A disabled person who has sex? No really, these aren’t hypothetical questions, can you please drop a rec in the notes?? Because I am desperate.

There are lots of problems with this trope, and they’ve been discussed ad nauseam by people with PhDs. I’m not actually interested in talking about how this trope leads to a more prevalent societal idea that disabled people are unworthy of love, or contributes to the kind of political thought processes that keep disabled people purposefully disenfranchised. I’m just a bitch on Tumblr, and I have a bone to pick: the thing I really hate about the trope? It’s boring. I’m bored. You know how, like, halfway through Grey’s Anatomy you realized they were just recycling the same plot points over and over again and there was just no WAY anyone working at a hospital prone to THAT MANY disasters would stay on staff? It's like that. I love a recycled trope as much as the next person (There Was Only One Bed, anyone?). But I need. Something. Else.

Remus is disabled. BOLD claim. WILD speculation. Except, not really. You simply - no matter how you flip it, slice it, puree it, or deconstruct it - cannot tell me Remus Lupin is not disabled. Most of us, by this point, are probably familiar with the way that One Canonical Author intended One Dashing Werewolf to be “a metaphor for those illnesses that carry stigma, like HIV and AIDS” [I’m sorry to link you to an outside source quoting She Who Must Not Be Named, but we’re professionals here]. Which is... a thing. It’s been discussed. And, listen, there’s no denying that this parallel is a problematic interpretation of people who have HIV/AIDS and all such similar “those illnesses” (though I’ll admit that I, too, am perennially apt to turn into a raging beast liable to harm anything that crosses my path, but that’s more linked to the at-least-once-monthly recollection that One Day At A Time got cancelled). Critiques aside, Remus Lupin is a character who - due to a condition that affects him physically, mentally, emotionally, and intellectually - is repeatedly marginalized, oppressed, denied political and social power, and ostracized due to unfounded fear that he is infectious to others. Does that sound familiar?

We’re not going to argue about whether or not “Remus is canonically disabled as fuck” is a fair reading. And the reason we’re not going to argue about whether or not it’s a fair reading is because I haven’t read canon in 10-plus years and you will win the argument. Canon is only marginally relevant here. The icon of this blog is brown, curly haired Remus Lupin kissing his trans boyfriend, Sirius Black. We are obviously not too terribly invested in canon. The wolfstar fandom is now a community with over 25,000 AO3 fics, entire careers launched from drawing or writing or cosplaying this non-canonical pairing. We love to play around here with storylines and universes and races and genders and sexualities and all kinds of things, but most of the time? Remus is still disabled. He’s disabled as a werewolf in canon-compliant works, he’s disabled in the AUs where he was injured or abused or kidnapped or harmed as a child, he’s disabled in the stories that read him as chronically ill or bipolar or traumatized or blind or Deaf. I’d go so far as to say that he is one of very few characters in the Wide Wonderful World of media who is, in as close to his essence as one can be, always disabled. And that means? Don’t shoot the messenger... but we could stand to be a tiny bit more responsible with how we portray him.

Disabled people are complicated. As much as I’d like to pretend we are always level-headed, confident, and ready to assert our inherent worth, we are still just humans. We have bad days. We doubt our worth. We sometimes go out with guys who complain about our steroid-induced weight gain (it was a long time ago, Tumblr, okay??). But, we also have joy and fun and good days and sex and happiness and families and so many other things.

Remus is a disabled character, and as such, it’s only fair that he’d have those unworthy moments. But - I propose - Remus is also a crip. What is a crip? A crip - like a queer - is someone who eschews the limited boundaries placed on their bodies, who rejects a hierarchy of oppression in favor of an intersectional analysis of lived experience, who isn’t interested in being the tragic figure responsible for helping people with dominant identities realize how good they have it. Crips interpret their disabilities however they want, rethinking bodies and medicine and pleasure and pain and even time itself. Crips are political, community-minded, and in search of liberation.

Remus is a character who struggles with his disability, sure. But he’s also a character who leverages his physical condition to attempt to shift communities towards his political leanings, advocates for the rights of those who share his physical condition, and has super hot sex with his wrongfully convicted boyfriend ultimately goes on to build community and family. Having a condition that quite literally cripples you, over which you have no control, and through which you are often read as a social pariah? That’s disability. But using said condition as a means through which to build advocacy and community? Now that’s some crip shit.

Personally, I love disabled!Remus Lupin. But I love crip!Remus Lupin even more. I’d love to see more of a Remus who owns his disability, who covets what makes him unique, and who never ever again tells a potential romantic partner they are too good for him because of his disability. This trope - unlike There Was Only One Bed! - sometimes actually hurts to read. Where’s Remus who thinks a potential romantic partner isn’t good enough for him? Where’s Remus who insists his partners learn more about his condition in order to treat him properly? Where’s sexy wheelchair user Remus? Where’s Remus who uses his werewolf transformations as an excuse to travel the world? Where’s crip Remus??

We don’t have to put “you don’t want me” Remus entirely to bed. It is but one of many repeated tropes that are - in the words of The Hot Priest from Fleabag - morally a bit dubious. And let’s face it - we don’t always come to fandom for its moral superiority (as much as we sometimes like to think we do).

This is not a condemnation - it is an invitation. Able-bodied folks are all but an injury, illness, or couple decades away from being disabled. And when you get here, I sincerely hope you don’t waste your time on “you don’t want me”ing back and forth with the people you love. I’m inviting you to come to the crip side now. We have snacks, and without all the “you don’t want me” talk, we get to the juicy parts much faster.

Colorfully,

Mod Theo

#wolfstar #disability in fandom #disabled remus #crip remus #please write me some crip remus #I beg of you #fandom meta

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queridopascal · 3 years ago

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The new job (Din Djarin x F!Reader)

Part 1 of the “Ad Astra” series

Summary: as your eyes scanned the page, the words “spatial coordinates” and the phrase “writings and symbols no one has been able to decipher” made your eyes widen and your interest spike... (word count: 1.7k)

Warning: mention of food and drinks

A/N: my first ever Mando fic/series (even though we don't get to meet him in this first chapter)! Huge thanks to @hnt-escape for beta reading, and I hope you guys enjoy it ✨

Reblogs and comments are highly appreciated ❤️

NEXT | SERIES MASTERLIST

Sitting alone in your home office with a mug of coffee in your hand, you shuffled through the heap of unopened mail you found upon your return from your last expedition: advertising brochures, leaflets, bills and, at the bottom of the stack, a cream-coloured paper envelope with slightly torn edges.

Prompted by curiosity, you put down the mug and opened the letter with an old knife you kept in the first drawer: it was typewritten, dated 25th of September and signed at the bottom by a certain Elizabeth Williams.

As your eyes scanned the page, the words “spatial coordinates” and the phrase “writings and symbols no one has been able to decipher” made your eyes widen and your interest spike. Your work as an archaeologist had given you the opportunity to travel the world, discover different types of artifacts and ruins, get closer to cultures and their ancient origins; but something inside of you, a feeling in your gut, was telling you that what was described in the letter was unique and, possibly, something you had never seen before.

Without giving it a second thought, you dialed the phone number scribbled underneath the signature and waited with bated breath as you began fidgeting with a pen, clicking it open with every beeping sound coming from the other side.

“Hello?” a calm tone greeted you.

“Mrs. Williams?” you asked, clearing your throat.

“Yes, it’s me.”

“Hi, I’m-”

“I know who you are, I’ve been waiting for your call.” the woman said with a smile in her voice.

“Oh,” you gasped, “I... received your letter and I would love to hear more about this artifact you mention.”

“Great. I’ll have someone pick you up tomorrow morning at 9 sharp.”

“Thanks, Mrs Williams,” you nodded, “do I… have to bring anything?”

“Your knowledge will be sufficient, my dear.”

Once you both ended the call, you took a deep breath and closed your eyes, feeling anxious and impatient for what was about to come and reliving the exact same sensations you had experienced the day of your very first excavation.

After a sleepless night, you were awakened by the furious pitter patter of heavy rain against the windows. The dark grey of the sky made every room of your house incredibly cold and humid, and you put on your favorite cardigan as you dragged your feet into the kitchen to prepare something for breakfast.

When you finished eating, you took a quick shower and got dressed in your favorite black pencil skirt and a white blouse, a matching blazer and a pair of heels completed the look. You took a seat on the couch in your living room and waited for the driver.

At 9AM there was a knock at your front door, and you immediately grabbed your blazer and your purse and walked over to it.

“Good morning, Miss,” the driver bowed his head a little and extended his gloved hand to you while opening a black umbrella with the other. “Please, follow me. Mrs. Williams and her colleagues are waiting for you.”

You put your hand in his as he walked you over to the sedan; he opened the car door and waited for you to get in, shutting it swiftly once you got comfortable in the cream leather back seat.

After a two hours drive, the car stopped in front of a wired mesh and barbed wire fence, lined with several “Military Zone” signs. A couple of seconds later, the guarded gates opened with a screech, letting the car enter what looked like a tunnel carved inside of a mountain.

The driver pulled up in front of a large white door with soldiers on either side, where an elderly woman waited with crossed arms.

“Goodmorning my dear,” the woman stepped towards you. “I’m Elizabeth. Welcome to the Falls Hill military installation.”

She hugged you tightly and you stiffened at first, looking at the two soldiers, whose eyes were fixed on a point in front of them.

“Come, I’ll show you around.”

One of the guards stepped to the side and held the door open for you and Mrs. Williams. The large corridor that extended in front of you reminded you of a war bunker: it was grey and cold, illuminated by pale neon lights, and it had the same distinctive smell you would find in the subway.

You followed her obediently, and when she reached the end of the corridor, she slowly opened a set of double doors bearing an "Authorized Personnel Only" sign; taking a step forward, your mouth dropped open in wonder as soon as you laid eyes on what looked like a giant stone ring covered with strange inscriptions.

“I've never seen anything like this,” you gulped, keeping your eyes fixed on the object.

Mrs. Williams chuckled, pleased at your reaction. “No one has, my dear.”

“Can I…?” you asked in a trembling voice as you pointed at the artifact.

Elizabeth nodded and you walked over to it, placing your hand on the rough surface of the stone to feel the engraved characters under your fingers.

“These inscriptions,” you started, turning to her, “might be hieratic or maybe cuneiform, I think I've seen some of those symbols before.”

“Perhaps you could help us with the interpretation?” she moved to stand beside you and tilted her head to the side, looking at you expectantly.

“Yeah, of course. I'll get to work right away.”

The hours passed quickly, and between one cup of coffee and another, it was already evening. The succession of symbols and characters engraved in the stone kept repeating in your mind, a mix of infinite combinations and interpretations, from the most logical to the least plausible.

Wrinkling your eyes for tiredness, you looked up from all your papers and notes, finding a new possible interpretation of the second row that made your heart race.

“Mrs. Williams, was anything else found in the proximity of this object?”

“I was hoping you'd ask me,” she smiled and motioned you to follow her.

Elizabeth led you through a hallway and stopped in front of another door, resting both hands on the opening handle.

“You are not to speak of this to anyone, understand?”

You simply nodded, your breath catching in your throat at her request.

“Mrs. Williams, I haven't issued any new authorization papers for this lady.” a baritone voice captured your attention, and you turned around only to find a soldier in uniform staring back at you.

“Colonel Shaw, it's nice to see you again,” Elizabeth greeted him with a gentle smile, but the man looked at her with a serious and impenetrable gaze.

“Mrs. Williams, I don't think I'll have to remind you that what's inside this room is classified.” he walked over to the both of you, his expression unfazed.

“She's the new addition to my team, Colonel,” she said, looking him straight into his icy blue eyes, “a world-renowned archaeologist who is going to help us decipher the inscriptions on the stone ring.”

“Exactly. Then why are you here?” he glanced at you out of the corner of his eye.

“Because,” you cleared your throat “the second row of inscriptions refers to another object, described as the portal.”

The Colonel raised an eyebrow at you and sighed, then looked at Elizabeth.

“Permission denied.”

“Excuse me, Colonel Shaw. I was told you would have given me carte blanche, especially since the government authorized this project,” she stepped towards him with her usual calm tone.

“Not for long,” he retorted, “you have one more week Mrs. Williams, the clock is ticking. And since she doesn't have any authorization at the moment, I won't grant her access into this room.”

“Then I guess I'll have to ask Captain Gallo,” she crossed her arms. “See, he was the one who helped us get started with this project and I'm sure he would authorize this young lady in a heartbeat.”

The Colonel exhaled angrily, his jaw was clenched in frustration and you smiled to yourself.

“Fine,” he said through gritted teeth “You have my permission.”

6 days later

Staring at the portal, the inscripted characters on dark metal and stone looked so similar to something you had seen before, but also so different. You felt intimidated by that object, almost in awe, it was as if it gave off vibrations within the room, as if it wanted to give you clues to solve that riddle that had been keeping you and the rest of the team awake for days.

“Morning guys,” Elizabeth walked into the research lab with a box of donuts, “I brought something to eat.”

“Thanks,” you beamed at her as you took a glazed donut from the container. “I really needed something with sugar.”

“How is the research going?”

“Bad,” Linda, one of the members of the team, shook her head, “no matches whatsoever.”

“Is that so?” Elizabeth turned to you, her expression somber.

“Yeah,” you sighed, “even if the inscriptions look familiar to us, when comparing them to all the material we have available, we found no similarities. We’re missing something and tomorrow is the last day.”

“I’m gonna ask for a permit extension, I'm sure they'll grant it to me,” she stroked your back, comforting you.

“I found another reference!” Linda squealed with excitement “Shall we start with the comparison?”

“Absolutely,” you rushed to her side and took a seat on the corner of her desk, looking at the monitor of her computer.

The documents she had just found showed incredible similarities, and referred to an engraved metal fragment found a few months earlier in the Atacama Desert.

“These three symbols are exactly the same ones of the central row!” you exclaimed, not believing your eyes.

Linda nodded, then gulped, “They also say here that they found out some symbols represent a stylized version of constellations, and that this type of metal is not…”

“Terrestrial,” you added as you kept on reading the description under one of the pictures.

Mrs. Williams looked at the both of you with a proud smile, then she walked over to the other desk and dialed a number on the phone.

“Captain, we finally found a match for the inscriptions.”

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variousqueerthings · 3 years ago

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Daniel LaRusso: A Queer Feminine Fairytale Analysis Part Two of Three

Part 1

Part 3

6. Sexual Awakenings part 1: Love, Obsession, & Size Differences

[Insert that post talking about the creators making sure that Daniel’s antagonists were much bigger than him so that the audience would sympathise, spawning 10000 size kink fics]

I’m sure this won’t awaken anything in Daniel

Corporate wants you to find the difference between these two pictures

The hallmark of feminine fairytales tends to be growing into womanhood, with all those symbolic sexual under/overtones, searching for a prince, encountering monsters (or evil stepmothers), on the surface tending to be quite passive/reactive, but actually being about young girls and women getting out of their environment and choosing to tussle with those deep, dark desires – monsters. They’ve got to function within the limitations of power that they have – escaping an abusive situation through marriage, chasing forbidden desires under the guise of duress, asking questions about sexuality through things like symbolic plucking (flowers) or consumption (fruit) or pricking (needles), etc.

Daniel isn’t striking out to find his fortune or win a girl or a kingdom Like A Man, he’s not a threat to Silver, who – like Jareth in Labyrinth – is in control for almost the whole of the narrative, he’s not actually able to do much more than react until he makes the decision to stop training, and even then he’s immediately ganged up on and assaulted, needing to be saved by Miyagi while he stands and watches, bloodied and bruised.

Daniel’s journey in the third movie is to be forced into an impossible situation, seduced by Silver, and then prove that whatever violence Silver did to him isn’t enough to destroy him. It is incredibly similar to Sarah’s in Labyrinth, who by the end declares: “you have no power over me,” and that’s her winning moment. Not strength, not wits, not a direct fight, (although Daniel does fight Barnes and gets beat up again – only winning in in the end by taking him by surprise, unlike in TKK1 or TKK2 where you could argue that he proves himself to be a capable physical opponent to Johnny and Chozen), but by declaring that whatever power was held over her is now void.

Daniel’s narrative isn’t satisfying in the same way, because the dynamic of Silver and Daniel only accidentally emulates this - it’s not an intention on the side of the film-makers.

When Miyagi tells Daniel that he has strong roots, when he tells him not to lose to fear and Daniel wins over Barnes (in an almost fairytale-esque set of events), on paper he’s defeated whatever hold Terry Silver has over him. In the film itself though, Daniel never defeats Silver (which will likely be confirmed once he returns in Season Four). Daniel cannot simply say “you have no power over me,” and see Silver shattered into glass shards.

The film is a contradiction: It wants to be a masculine sports film, but it exists in the same realm as Goblin Kings seducing young girls with the promise of: “Just fear me, love me, do as I say, and I will be your slave.” Unlike Sarah, Daniel doesn’t claim the power that’s been promised to him on his own terms. His subtextually sexual awakening is so corrupted that all he can do is pretend it never happened.

Still, Daniel proves in the film that his strength is not in his fists. It’s in his praying to the bonsai tree that’s healed despite a violent boy brutally tearing it in two.

These looks on Daniel and Silver though?

So why does Silver become obsessed with him? What’s up with all those red outfits (that he doesn’t wear in Cobra Kai)? What does the temptation reveal about Daniel? How does it recontextualise TKK1 and TKK2? Is Daniel bisexual? (yes).

Ah, beach-Daniel, in your red hoodie and your cut-off jorts. Iconic hot-girl summer vibes.

If you didn’t want me over-analysing this, you shouldn’t have put him in so many red outfits and then have this man leering at him like he wants to eat him alive.

Surface-level it’s not hard to read into a Dude Story: Masculine power fantasies are about strength in a very direct way. Fighting, control, suaveness – and if you’re not the most traditionally masculine of guys, asserting dominance through being a good lover or intelligent or overcoming that unmanliness in some way through beating the bully or convincing the hot girl to go out with you, levelling up in coolness. Being A Man. It’s not too dissimilar from Daniel’s arc in the first movie, if you watch it without taking later events into account, although Daniel is never interested in proving himself as a man, and more in making Miyagi proud. Still, he does win and gain respect, and arguably “get the girl,” although Ali’s interest in him was never dependent on the fight.

7. Sexual Awakenings Part 2: Sexual Assault, Liberation, and Queerness

Feminine power fantasies are often about sex. Metaphorically. More accurately it’s “owning sexuality.” Even more accurately: “Freedom.” They also inhabit a fluid space in which empowerment through monstrous desires and non-consent can happen at the same time. And on top of that, many of these “fantasies” are actually being written by men, so whose fantasy is it really? A lot of them are based in oral traditions so presumably they were originally from the mouths of women, even if modern iterations (starting with Grimm’s collections) are filtered through cis men’s perspectives.

All of that being acknowledged: In Angela Carter’s “The Company Of Wolves,” Red Riding Hood unambiguously sleeps with the wolf. Belle discovers her freedom from expectations and unsuitable suitors (and in some versions, evil stepsisters) by falling in love with a Beast (the original novel was written by a woman, the 18th century Gabrielle-Suzanne Barbot de Villeneuve). Jareth informs Sarah of his obsessive devotion to her in Labyrinth. To lean into horror for a moment – Buffy is stalked and eventually has relationships with both Angel and Spike, Lucy in Coppola’s Dracula (which I have mixed feelings about) is raped by the werewolf and Mina is stalked by Dracula, The Creature Of The Black Lagoon kidnaps Kay (the lead’s girlfriend) – subverted in both The Shape Of Water in which Eliza forms a consensual relationship with the amphibious sea-god and in the short-lived horror series Swamp Thing, in which the connection is purposefully framed as seductive…

and in The Karate Kid Part Three Daniel LaRusso punches a board until his hands bleed because an attractive, older man tells him to and in this moment he gives in to what he (thinks he) wants.

Not all of those examples are equal. Some are consensual, some are hinted as abusive and/or stalkery, all of them have large age gaps, and a few are outright non-consensual.

But they’re all fantasies.

They’re all power-fantasies.

Except for Daniel, because he’s a man and the idea that being obsessed (lusted) over by an older man who keeps you in his thrall, specifically because you tickle his fancy for whatever reason, because you’re beautiful, breakable, different – could in any way be considered empowering is a difficult concept to wrap your head around. It doesn’t contain that “but I’m a good girl, I’d never go off the path and pluck flowers if a bad wolf told me to, honest,” societal context or the social context of rape culture. It’s closest comparison is closeted (perhaps even unknown until that point) queer identity.

There have recently been some comparisons of Daniel LaRusso to Bruce Bechdel in Funhome (and everyone who says that Ralph Macchio ought to play him in the upcoming movie: you’re right and I’m just not going to enjoy it as much without him). I’ve written a post about Sam being the heir to his legacy and trauma, specifically as a queercoded man. It’s not dissimilar to the plot of Funhome in a lot of ways.

The other interesting source that’s been going around in connection with Daniel is the essay “The Rape of James Bond,” which discusses the use of sexual assault as a plot device for women and not for men: “About one in every 33 men [in the US] is raped. … [your statistically average, real life man] … doesn’t have a horde of enemies explicitly dedicated to destroying him. He doesn’t routinely get abducted, and tied up. Facing a megalomaniac psychopath gloating over causing him pain […] is not the average man’s average day at the office.” That last bit is just a descriptor of Terry Silver, (although I take issue at the blasé use of psychopath).

The two part youtube essay Sexual Assault of Men Played for Laughs posits that there is nothing more de-masculinising than the threat of sexual assault and therefore any narrative that features this “rightfully” must mock any man who has been a victim or who fears being a victim of sexual assault. It is feminising. There is nothing more humiliating – and therefore unheroic – than a man dealing with sexual assault.

So what do we feel when we see an attractive young man being put into a vulnerable position by an older man? A trope associated with female characters, a trope that is considered unpalatable for men (see reactions that happened when the hint of sexual assault was introduced in Skyfall).

Was it the fact that he was being threatened, or the fact that James’ next line is: “what makes you think this is my first time?”

Some thoughts added by @mimsyaf are around the idea of safety in how a lot of cis women might relate to this narrative through Daniel’s eyes. He’s not a woman, he has – societally – more power than a girl or woman would have, which makes this a different watch to, say, if Danielle were to go through the same narrative. Daniel doesn’t carry that baggage of rape culture, or of the male gaze that you might find in a similar scenario of Buffy the Vampire Slayer or Christine in Phantom of the Opera (and once more the age differences between these characters and the men who love/lust over them are substantial), which makes the narrative “safer” to engage with.

I agree with that, although as a transmasc person I also come at it differently. I specifically like to headcanon Daniel as a trans guy and find his fraught interactions with masculinity through his own non-toxic lens relatable, as well as the way other boys and men react to it – also I think Terry Silver is hot. I know there are people who write Terry Silver with female OCs, which is also a form of empowerment.

On the flipside putting Daniel in this space runs a risk of fetishising him as a queer youth who is either Innocent and Pure, or a bisexual stereotype that deserves to be assaulted for not being a real man. After all, Real Straight Men don’t run the risk of sexual assault.

Alas, the road to empowerment never did run smooth.

The comparisons between the way Daniel is treated by the text and how female characters are often treated in texts are undoubtedly there. Through Ralph Macchio and TIG’s casting and the direction and acting, but also within the text itself.

It might not be with the same purpose as Neo’s symbolically trans journey, but it puts the whole narrative that Daniel’s going through from TKK1 under a different light than if there had only been one movie that ended on a triumphant sports win and a girlfriend.

Johnny’s masculinity and the use of tears as liberation, now that’s a whole other analysis….

#daniel larusso #terry silver #the karate kid part three #the karate kid #cobra kai #ck #cobra kai meta #part two of three #we're going into labyrinth and james bond in this one fellas #(non-gendered fellas)

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chicoriii · 3 years ago

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Season 4, Episode 4 - Mr Pigeon 72

I have no idea where to start. This episode has some good things and some extremely stupid.

Marinette isn't still completely fine, but I prefer when she deals with it through being hyperactive than being a whining crybaby.

I know people don't agree with me, but personally I don't buy the whole revealing identity to Alya. It's not a problem with Alya herself, I would say the same about every single character who is not named Alix Kubdel at this point of the story. I haven't written anything in my post about Gang of Secrets, because I thought it would be undone in some way at the start of the next episode. The creators did nothing to explain why revealing identity of Ladybug to anyone was super dangerous and would result in a catastrophe in seasons 1-3 and the first two episodes of S4, but it's magically fine in episode 3. Only Alix made sense to me, as she will be the rabbit Miraculous holder, so she is destined to discover identities of everyone sooner or later and Marinette is aware of that. While it's not necessary to learn identity of anyone to other temporary Miraculous wielders, including Alya. Also that reveal hasn't been foreshadowed in season 3, while the show usually does it, especially if it's about something as important as that! More, in late S3, it's been shown that Alya still can't resist to not talking about Marinette's love life with Nino, despite she asked her to not do it. Now the girl, who is overly excited about superhero stuff, has no problems with even accidental revealing anything to Nino or someone else. She's even "stealing" Bunnix line that she's great at keeping secrets (sorry but you, the creators, haven't shown us that she's indeed is before!). This is why I think that reveal hasn't been planned before they started writing season 4.

But okay, I can deal with it, even if I don't buy it, but things these happened in Mr. Pigeon 72 are even more inconsistent with previous seasons. I have been worried about it, so it doesn't surprised me. For some reason Guardian related-things that have been kept in a secret before from everyone minus current Guardian and the future Guardian, are now fine being done in front of Kwamis (remember, they haven't been allowed to learn about making potions before!) and a civilian who is just a temporal Miraculous holder, not someone who is supposed to be trained to be a new Guardian. You can say - new Guardian, new rules, but why? Marinette has been portrayed as someone who respect authorities, she has never questioned any Fu's rules. It wasn't even said in the episode that she's going to change the rules. I hate that the writers don't even bother to explain us what's going on. Probably they don't bother about consistency, they think the audience is going to be too excited about Alya knowing Ladybug's identity and helping Marinette to question anything about it? How Alya could be allowed to learn the Guardian secrets? She is just best friend of the protagonist, she is not one of the main characters to get that special treatment. I makes zero sense to me. Especially since Su-Han will be introduced in episode 6 and he should help Marinette with understanding the Grimoire, Alya isn't necessary here for any other reason than fanservice.

In my opinion the way how they discovering how to make charms that protects from akumasitation was the most stupid thing that happened this season and one of the most in the whole show. Marinette who is the new Guardiand and portrayed as someone extreme intelligent and creative couldn't find the solution for days, but Alya with zero training magically discovered it in a few hours at worst. And when she told her the solution in not even very clear way, Ladybug did it immediately with no effort. That was so anticlimactic. At least the animation was fine, but other aspects of it was just a big disappointment, and I was looking forward for it. Thank goodness it's just the beginning of the season, I hope later important events of the season will be better written and portrayed.

Also I find it absurd that Rena Rough is walking with a page from the Grimoire like it's just an ordinary book and she's talking about it in front of a random civilian, like things that are written there are nothing special. She or Ladybug are not careful about Miraculous lore anymore. Not to mention that they are giving hints that Rena is very close to Ladybug in public, suspiciously close. And now with them being too careless, that's not hard to suspect that Rena Rouge is someone very close to Ladybug, maybe even as a civilian. Shadow Moth knows Rena Rouge's identity, and it's easy to him to learn who is Alya Cesaire's best friend if he doesn't know it yet, after all his son is in the class with her. Marinette has always been super careful and serious about her duties before, why that sudden change with zero explanation? It's just very out of character to her in my opinion.

I didn't like the akuma battle either, it's now the worst fight of the season in my opinion. It was so short and felt very lazy. I only liked that Plagg got some action and interaction with Ladybug (though it should be suspicious for her that he managed to reach to her that fast). He should be aware now that Alya knows Ladybug's identity but he acts like nothing happened. Not a word about it being unfair towards his kid or something, weird.

Thankfully the rest of the episode is generally more or less fun to me. It was nice to see Marinette and Kagami interacting again. I loved Kagami in the episode, although it was a bit weird to me that she isn't seemed to be affected by her breaking up with Adrien. Like her crush was very shallow, so she managed to recover herself from it very quickly. While it's been shown that Luka is hurt, despite Lukanette always seemed to be much more shallow than Adrigami in my opinion. But maybe it's because she's so down to earth, so being less emotional makes sense for her character. I liked how her attitude was opposite to Marinette's hyperactive: "No, I don't want to be in a relationship with Adrien again, he disappointed me, just let me live!!!". And she's another character who said that Marinette and Adrien are made for each other. I'm not surprised that Kagami sees it now when she tried to be with him and that didn't work. She's observant, sees more than many other characters. It seems she's an Adrienette shipper now. It's also good that her issue with Adrien wasn't resolved that easily and too fast. They need more time, but I'm sure they will be friends again.

So, we've gotten shirtless Adrien. I remember seeing a tweet of Thomas in which he answered to a question if there will be a beach episode and he said we will get something similar. I wonder if he meant this episode. Oh, they just remembered that Adrien is supposed to be allergic to feathers. It seems Adrien has allergic reactions only when it's somewhat related to the plot. When it's not, he's completely fine.

The reference to the famous Umbrella Scene™ out of nowhere in a random episode? It probably means something. I can see "reverse crush" supporters interpreting it as a proof to their theory, especially since this time Adrien did something clumsy and Marinette is laughing because of it (actually both of them). Or maybe because it's the first episode of season 4 with Marinette and Adrien interactions, they decided to be that much gracious for Adrienette fans, to compensate lack of it in the first three episodes. Oh wow, Marinette managed to propose spending more time together to Adrien without stuttering. Probably because she has done it spontaneously. Marinette is the most nervous when she's planning and thinking what could go wrong too much. This time she had no time to it, so it went more smoothly. It's like they building development of their relationship, but it didn't seem in Guiltrip (that's episode 11 chronologically) that something changed.

Seeing screenshot above, you can easily imagine how great friends they could be, being very comfortable around each other and laughing together, if not Marinette's anxiety. We need Adrienette development so much to get more moments like this.

Oh and I just realized that it's also one of the veeeeery few episodes with no real Ladynoir at all (the only other one I remember is Style Queen). So if there was no Adrienette it would be an episode without interactions of two main characters at all (although we almost got Ladrien). It could be another reason why this episode is that nice for Adrien and Marinette ship.

After seeing overly excited Marinette dancing in the rain, I can't believe she can manage completely give up on Adrien. It doesn't look like this at all.

Also we've seen three photos of Adrien wearing THAT scarf. It could not mean nothing different that foreshadowing that he's going to discover the truth about it somewhere this season. But I have no idea what Ladybug's mask with shining eyes could mean.

I don't know what to think about the episode. Despite absurd Guardian-related things, I still liked it much more than Gang of Secrets, but I have no idea if I generally enjoyed it more than other episodes of this season or not. At least it's an episode without stupid drama, which is amazing.

---------

I'm currently less active on social media, because my internet connection is very unstable, it often works very slowly to the point I'm not patient enough to visit Tumblr. Also I block spoiler tags again, because I don't want to see spoilers from the episodes those are going to be released very soon, as I feel that they reveal too much to me once more. We're currently in a marathon of the new episodes and since watching them is the more more enjoyable, the less I know about them, I decided to try avoid spoilers as much as I can. The only bad thing is that I can't be read discussions about the new episodes, reblog them and adding something from me until Optigami will be aired.

#miraculous ladybug #ml mr. pigeon 72 #ml season 4 #ml spoilers #ml spoiler #chicoriii about S4 episodes #ml season 4 spoilers #chicoriii #original post

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miracleonice87 · 4 years ago

Note

38 with Mat

from the Winter/Christmas Writing Prompts list

38. “You’re under the mistletoe so stop stalling and just kiss.” 🎄

quick note: this one is prob a bit longer than the others will be. I just L O V E writing Sydney and Marty as secondary characters in Mat stories.

quick warnings: swearing, alcohol, super snowy powdery Christmas fluff

and, just for fun, song pairing: mistletoe by Justin Bieber (obviously)

_____

There really was no place like home.

After moving away to Los Angeles to attend USC for both undergrad and grad studies, you were finally back in New York. You hadn’t been able to resist the pull — it was almost as if, from all the way across the continent, you could feel the Atlantic tide receding and pulling you home along with it. For better or for worse, you belonged to the Empire State.

Sydney, your lifelong best friend and a New Yorker herself, was beyond ecstatic, as she had recently gotten engaged to her longtime boyfriend Matt, a hockey player, and named you her maid of honor. Planning a wedding — not to mention showers and bachelorette festivities — would be far easier, and far more fun, with you in the same zip code. Since moving back six weeks ago, you’d spent about ninety percent of your time with Sydney by your side, making up for lost time with the woman who had long been your other half.

So sweet, right? There was just one problem. Sydney wouldn’t stop trying to set you up with guys. She was insistent that you’d been single for too long — you’d broken up with your college sweetheart by the end of your senior year — and she made it her mission for you to find love again. And she, on her own, was bad enough — she’d already hooked you up with so many friends of friends that you’d lost count, and none had been interesting enough for a second date — but her fiancé conspiring right along with her made resisting them that much more difficult.

This particular night, she had lured you to the home she shared with Matt under the guise of having dinner with her family, when in reality, she was throwing a Christmas dinner party for Matt’s closest friends on the team. All of whom had — and brought — significant others. Except for one. What a coincidence.

Also coincidentally, his name was Mat, too, or so you were told — you didn’t quite believe Syd’s Matt when he told you that upon introducing the two of you.

“Mat with one ’t,’” he announced, one arm slung around Mat’s shoulders. The handsome, dark-haired man swallowed thickly and gave you his best polite smile — it was in that moment that you realized beyond a shadow of a doubt this was yet another set up.

Matt made a lame excuse about needing to check on Sydney in the kitchen and snuck away after some brief pleasantries, but not before blatantly nudging your much-smaller frame toward New Mat. You gave Matt a menacing glare before recovering, standing a safe distance away from New Mat, leaning against the wooden beam behind you to keep you steady.

“So, Mat with one ’t,’ how long have you played with the ever-obnoxious Matty?” you asked, trying to play it cool.

Mat laughed easily. Damn, he had a nice laugh — the kind that made his pretty eyes crinkle at the corners. Nice hair. Nice teeth — perfect fucking teeth. Wasn’t he supposed to be a hockey player? Wait, what was he saying? Something about Seattle, and the draft, and… now you were lost. You nodded slowly with a forced smile as you tried your hardest to focus on what he was saying. He was just so goddamn pretty.

Thankfully, Sydney’s call from the kitchen saved you from the embarrassment of not having heard a word this poor boy had spoken.

“Dinner’s ready! I’m really type A, as you all know, so I made little placecards for everyone at the table,” she announced to the group of ten, hands clasped before her as Matt snaked an arm around her from behind and smiled proudly.

“Guess that’s our cue,” Mat mused. “Shall we?”

You threw him a grin and nodded, turning your back to him and making your way to the dining room.

On your way, you paused in front of your dear friend just long enough to grumble, “Assigned seats? Really, Syd?”

She clapped enthusiastically and smacked your ass as you passed her. “Yep! See you in there, champ!” she exclaimed as you heard frantic whispers exchanged between Mat and Matt. You couldn’t hold back your snicker, and as you glanced over your shoulder, Mat gave you a strained smile. You shook your head bemusedly and turned to the table to find that, to no one’s surprise, you and Mat were indeed to be seated side by side at one end of the table. You cleared your throat and nodded toward the cards bearing your names.

“Subtle, no?” you joked, causing Mat to blush pink. He choked out, “Ah, yeah. You gotta love them.” Then, he pulled out your chair and motioned for you to take a seat, which, as luck would have it, Sydney and Matt caught just in time because they were bringing in the food on serving dishes at that very moment. Their eyes sparkled and Sydney looked like she may self-destruct out of sheer joy as you sat down and thanked Mat. You gave her an icy look and she visibly retreated, holding herself back from making a complete scene.

“Okay, dig in!” she said instead as she sat down across from you.

Dinner was incredible, as usual — while your talents lacked in the cooking area, Sydney had always been an outstanding chef. Even more, you enjoyed the conversation, which was mostly inclusive of everyone at the table, save for the occasional chirp Mat secretly muttered in your ear about Matt or Anders, making you cover your mouth with your hand to stifle a giggle as Sydney looked on smugly. Meanwhile, whenever you and Sydney would say the exact same thing at the same moment or finish the other’s sentence, Mat would look to Marty, who would only raise his eyebrows and nod, confirming Mat’s suspicion that these two were always this in sync. Mat found it endearing. He adored Syd — if he didn’t, he wouldn’t have agreed to come here tonight when she told him, “There’s someone I want you to meet…” — and already, he saw countless similarities in the two of you.

After he’d helped you clear the plates and load the dishwasher for your hosts, you and Mat settled onto a couch in the farthest corner of the living room, near the Christmas tree, while the others gathered in the center of the space, loudly entertaining themselves. As you curled your feet underneath yourself, you didn’t miss how Sydney reached for a nearby remote and slowly flickered on the fireplace right beside you and Mat. Yet again, you shot her a killer look that she pretended not to see as Mat smiled, amused at how flustered you were by Sydney trying to further set the mood.

“So how long have you known Syd?” he asked as he took another swig from his beer bottle, attempting to get you back on track. “Has to be a while. I swear I’ve never seen two friends who were more alike.”

You tucked some hair behind your ear and let out a breathy chuckle. With anyone else, you were ever prepared to skirt that question and quickly move on to another subject. But with Mat, it was nice knowing you really didn’t have to.

“Yeah, my whole life, actually,” you answered, a smile on your face at the thought. Your eyes flickered up to his as you added, “My dad played for the Jets... with Boomer while he was there.”

Mat’s brows quirked noticeably, but not in the familiar way that made you feel like he was about to ask you to FaceTime your dad or get an autograph from him. Because he was a professional athlete himself — which was ironic because you’d sworn up and down your whole life that, because of the lifestyle you saw your dad and his teammates, not to mention their families, lead, you’d never fall for anyone who played sports for a living. Even when Sydney insisted with a shrug after settling down with Matt, “It’s not that bad.”

“No way,” Mat said with a casual laugh. “That’s awesome. What position did he play?”

“Uh, receiver,” you replied. “So he and Boomer were tight. Our moms hit it off right off the bat and have been best friends since. Since then, we’ve always vacationed together, ended up living in the same neighborhood after they both retired. I’m three years younger than Syd and I was basically like her shadow. Still am, I guess,” you added with a smile.

Mat nodded, his eyes never leaving your face as you told the familiar tale. “I think that’s awesome though,” he spoke. “You guys could be sisters I feel like. You act just like her. Plus Marty says you’re the only friend of hers who’s kicked him out of bed so you could sleep with her.”

You threw a hand to your chest and your head back laughing at that, and Mat’s heart soared at being able to elicit such a reaction from you himself. You pointed a gold-polished index finger at him and admitted, “He tells no lies on that one.”

Just then, you caught Mat’s unabashed gaze, which had shifted from well-mannered and nonchalant into something deeper, something... affectionate. You swallowed, casting a downward glance at your lap, and swirled the ice cubes in your otherwise empty highball glass.

“I need a refill,” you said with a nervous giggle. “You want anything?”

Mat looked all too pleased with himself at your offer, and he nodded. “Sure, yeah, another beer would be great. Thank you,” he said. You smiled and nodded as you turned away and headed for the kitchen.

Ever the subtle one, once again, Sydney, who had been shamelessly watching the two of you from her perch in Matt’s lap across the room, stumbled over Jax’s paw as she bolted to the kitchen island where you now stood. You blinked at her wildly and said, “May I help you, Sydney Irene? You nearly wounded your poor dog.”

“So,” Sydney sang, ignoring your question completely as she leaned back against the kitchen counter, propping her palms on the edge and looking much more smooth than she had just a moment ago. She waggled her eyebrows at you before continuing. “Whadd’ya think? He’s cute, right?”

You scoffed. “Sydney—“ you began in a warning tone as you reached for the rum, but were interrupted before you could speak another word.

“If you hate him, it was Matt’s idea,” she deadpanned, then allowed a mischievous grin to stretch along her painted red lips as she cocked her head. “But if you like him, it was mine.”

You rolled your eyes as you poured yourself another rum ginger, ignoring the flush you could feel creeping up your chest and neck under Sydney’s scrutiny.

“You’re blushing! You do like him!” Syd squealed as she poked at your side, thankfully making an attempt to stay quiet as the guys, Mat included, carried on noisy shenanigans in the family room before you.

“Sydney, stop! I just met him,” you tried to argue, turning away from her. It was Sydney’s turn to roll her eyes.

“Like that matters. I fell for Matt like—“ she snapped her fingers for dramatic effect, “—that. And look at us now.”

You pursed your lips to the side. You couldn’t exactly argue that. With no quick comeback coming to mind, you stirred your drink, took three generous gulps — as Sydney watched, wide-eyed — and licked your lips before sighing at her.

“Well, fine,” you grumbled as you opened the fridge and grabbed a fresh beer for Mat. “Let’s not keep the boy waiting then.” You sashayed away from your friend who, spinning away from you, quickly squeezed her eyes shut and crossed her fingers before turning back and following behind you.

Mat thanked you profusely for the drink as you returned to him. Now he sat among his teammates, and Sydney sat back in Matt’s lap as you took the seat beside Mat on the opposite couch. You noticed how he immediately leaned back and comfortably stretched his arm across the cushion behind you, and you’d be lying to yourself if you said you didn’t inch a little closer then. It briefly occurred to you that you were drawn to him in the very same way you’d been drawn back home not long ago.

He felt like home. Already.

And soon, after a few hours more of merrymaking, Mat never leaving your side, the other couples had all headed for home. You four who remained had played several rounds of euchre and sang and danced to half a dozen Christmas carols before you realized how late it was. Knowing you’d had too much rum and wouldn’t be fit to drive, you’d already established that you’d stay in Sydney’s guest room — or maybe kick Matt out of the master. Regardless, you were staying put. But Mat, reluctantly, was leaving — the boys had practice in the morning.

“I guess I should go,” Mat sighed after a long round of goodbyes. Matt and Sydney gave him one last hug and retreated to the far side of the spacious room, aiming, of course, to leave the two of you to your own goodbye.

You nodded. “I guess you should,” you said, caught off guard by the twinge of sadness in your tone. “I’ll walk you out.” Mat smiled and turned toward the front door, and your heart truly may have skipped an actual beat when he glanced back at you and reached his hand out for you to grab. You did so, biting down on your smiling bottom lip as you followed him down the hall into the entryway, acutely aware that, if Sydney and Matt were indeed watching — of which you had no doubt — they could still clearly see you.

But when Mat pulled on his shoes and stood up straight again, stepping slowly, so slowly, closer to you, all you could think about was how hard your heart was thumping against your ribcage. You looked up at him in anticipation, and he smoothed his hands down the sleeves of your sweater softly.

“I had a really, really nice time tonight, you know,” Mat spoke. You had to remind yourself to breathe as the sincerity of his voice flooded your senses and his warm, honey-flecked eyes pierced through you. “Tonight was honestly the most fun I’ve had in a long time.”

You beamed — how could you not? “Yeah?” you asked incredulously. Mat nodded.

“Yeah. In fact,” he cleared his throat. “I was wondering if maybe, uh, you’d want to go to dinner with me sometime. Like maybe this Sunday night, after we play?”

You felt yourself grinning like an idiot, yet had no control.

“Yeah,” you finally answered. “Yes. Of course. I’d love that.”

Mat blew out a long breath and chuckled nervously. “Thank God,” he added as you both dissolved into a fit of giggles. You stepped closer to him and smelled his clean, woodsy cologne, inadvertently breathing it in. Mat came nearer, too, and tentatively reached his hands around to your lower back. “It’s a date then,” he spoke, his voice lower now, gravelly. You swallowed — hard — and gave a nod.

“It’s a date,” you echoed.

You simply stood in one another’s presence for a few long moments, smiling giddily at each other, before Mat sighed once more and glanced toward the door.

“I really don’t wanna go, but I—“

“No! Syd, just leave them be,” Matt suddenly whispered sharply to his fiancé — who seemed to have literally leapt up from the couch — though there was no point in whispering at all because you still heard him loud and clear. Jumping up behind Sydney, Matt easily wrapped her in his arms and clapped his hand over her mouth just as she started to speak.

After wrestling for control of Matt’s hand, she finally pulled it away just long enough to call out, “You’re under the mistletoe so stop stalling and just kiss already!”

With one final “shush!”, Matt covered her mouth once more, though his entire body was wracking with silent laughter.

“Goodnight, kids!” Matt said tersely as he all but manhandled Sydney down the opposite hallway into their bedroom, the two of them erupting with laughter the second they closed the door.

You rolled your jaw and looked above you and Mat to find that, yes, indeed, there hung a very Sydney-like crystal ornament adorned with glittery mistletoe, suspended from the archway.

“Un-fucking-believable,” you muttered, resting your head against Mat’s chest as you both laughed anxiously.

But a moment later, Mat’s voice rumbled in his chest. “Hey...” he spoke. You took that as your invitation to look up at him, and when you did, you found him gazing at you even more tenderly than he had before.

“I mean, since there’s mistletoe and all.. would it be okay if I kissed you?” he asked. His hand found your cheek and you grasped his fingers in your own.

“Well,” you began, leaning further into him. “Only since there’s mistletoe.”

Mat breathed a chuckle and whispered, “Okay, good,” before his lips found yours in a toe-curling, snow-melting, heart-growing, hell of a Christmas movie kiss that you both found yourselves smiling into by the end.

“Wow,” was somehow all you could whisper when you finally pulled away for air.

“Yeah,” Mat agreed simply. “Wow.”

“It worked!” You heard the muffled squeal from behind Sydney’s closed door.

You rolled your eyes once again, hating Sydney in that moment, as Mat snickered and leaned in for another kiss.

Little did you know that a few years later, your dear, meddling Sydney would stand up at your side in front of a ballroom filled with your and Mat’s family and dearest friends and proudly tell the story of that cold late-December night when your love story with Mat began.

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bloodstainsontengensfloor · 4 years ago

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The Star Plasma Vessel:

When I first read Gojo’s past arc, Riko Amanai and the whole dynamic created between all of the characters and how fast a strong bond can grow, really interested me.

⚠️Spoiler warning ofc ⚠️

But... I was so confused over the Star Plasma Vessel. I was so confused and thought I missed something because I didn’t even know who Master Tengen was. And the site I was reading the manga didn’t have chapter 72, but after re reading it... the Star Plasma Vessel and Master Tengen are... still suspicious as hell.

So Let’s talk about it!

Who is Master Tengen?

In the Nara Period (710-794) Tengen spread Japanese Buddhism and ‘preached what would become the foundation for Jujutsu sorcerers(JJK.wiki)’. They were first mentioned in chapter 53 by fake Geto.

At this point, the only information about Master Tengen was that of their jujutsu. Jogo asks Fake Geto who’s stronger; Tengen or Gojo? Fake Geto simply states that “it’s immortality not anti-aging” and that Master Tengen doesn’t interfere unless it involves the barrier. He also makes this comparison with a tree? However, I’m not sure if the tree metaphor is comparing Tengen and Gojo or describing/comparing Tengen’s technique.

During Gojo’s Past Arc, we find out more about the specifics of their jujutsu and how powerful and important they are. Tengen’s jujutsu is immortality but it doesn’t stop the aging process. The cursed technique tries to switch bodies roughly every 500 years. If Tengen doesn’t get a vessel, then they will ‘evolve’ or ascend to a higher state where they have no will. If in this higher state, they could become a threat to humanity. If they do get a vessel, then they rewrite the body’s genetic information.

On top of all that, Master Tengen’s ability strengthens the barriers that protect the jujutsu world and keep the amount of curses limited to Japan. The Jujutsu world wouldn’t be working the way it has for so long if not for these barriers. It isn’t specified whatsoever what Tengen would do that would make them a threat to humanity, but my guess is that it would have something to do with allowing curses to run free and unrestricted.

In the reccent chapters, Fake!Geto used a remote activation technique that Yuki orginially mistakes as an attack on the barrier. He’s disrupting the balance that’s for sure, but I believe that he could have broken the barrier. He had the option and probably the power, but he didn’t. This implies that Tengen is a force that even our antagonists fear or don’t wish to get involve. They said that they were stabilized even after Riko Amanai died, but... considering Ep. 18 where Principal Yaga goes ‘I’m going to see Tengen” after the Curses break onto school grounds implies that maybe he is weaker. Gojo even talks about how in the end, Tengen’s barrier hides rather than protects and that it’s weak once infiltrated, which raises a lot of questions. And maybe Tengen plays a part in this whole scheme because of the talk of how much chaos the world would be thrown into had the barrier been broken by Yuki and Fake!Geto’s questionable response.

Who is Riko Amanai?

Riko Amanai was the Star Plasma Vessel in 2006. It is implied that she was pretty wealthy, and when she was younger, her parent’s died in a car crash, but she survived. Between the years of her parents’ death and her death, she was cared for by Misato Kuroi, a non combatant jujutsu sorcerer who can fight curses, well educated in the curse world, but might not be able to use cursed energy/techniques. It is unknown with who Misato is affiliated with and if Amanai became aware of her status as the Star Plasma Vessel at an early age.

When first introduced, she is very willing and seemingly okay with the merger. When Gojo expresses his surprise over Amanai’s reaction to her attempted assassination attempt and the whole concept of the merger, she simply proclaims “Master Tengen is me and I am Master Tengen!”. She then goes on a rant about how the merger and death are different things and how after the Merger, her will and spirit will live on. However, this statement was contradicted earlier, when Yaga describes the Merger as an ‘eraser’. Later, Geto even talks about how after the Merger, Amanai will just be forced to be beneath the school and has to get rid of all mortal connections. It just happens to be that, she has no relations besides Kuroi... suspicious....

Riko is spunky and fiesty. During her rant, Gojo and Geto comment on how she probably has no friends based on how she talks. She is clumsy, and honestly just... funny. I keep on hoping someone in the main timeline says something similar to the “Liar, you look a liar... and whats with those bangs” line in reference to Fake!Geto. Getting back at hand, Riko is also brave. When Kuroi gets kidnapped, she insists on coming with Geto and Gojo despite having no fighting or curse capability. When nervous or in an emotional confrontation, she has a habit of scrunching up part of her skirt in her fists.

Despite putting up an image of content with the Merger, Riko is a normal teenage girl. Moments before her death, Riko’s inner monologue focuses on how she was always told she was ‘special’ and ‘different’, and how despite everything that happened, she always survived. Now, being told that you are special and different at a young age is something that affects people heavily. Weather it is being told that you are a ‘gifted’ kid or that you are just ‘different’ can lead to a lot of self separation from others. One might see themselves as better than others because of these skills or believe that someone else like them can’t exist and struggle when meeting someone similar or in a similar situation. Before her appearance in the story, it is implied that she had good relationships with her friends, classmates, and Kuroi, but didn’t really value them as much as she should due to this idea of being special or having a destiny. (Damn, a Gojo parallel maybe hmm) This led her to be really lonely and she believed that she would be okay with the merger because she thought that the loneliness and sadness would disappear. In the last three days of her life, Riko got to spend time with her friends at schools (the last she saw of them was them teasing her for her ‘hot cousin’ Gojo), spending time with Kuroi, and developing a strong bond with Gojo and Geto. She realizes that the sadness and loneliness could and would leave as long as she had strong bonds with others.

“I want to be with everyone more! I want to go to more places, see more things with everyone... More!!”

After Riko comes to terms with what she really wants, she dies at the hands of Toji Fushiguro/Zenin. Her death sets an entire series of misfortunes and rifts between the Strongest Duo and she serves her part as... well the plot tool she doubles as.

A Choice:

Before her death, Riko is given a choice. Geto gives her instructions on where to go for the merger, before saying “Or you can turn back and return home with Kuroi.”. He gives her a choice. A choice to go through with the merger and ensure stability despite no one truly knowing what is happening, or a choice to live a life of her choice. We find out that Yaga gave hints that there is something wrong with the Merger due to the way that he described it as an ‘erasure’ and how he isn’t one to ‘beat around the bush’.

We find out that Gojo and Geto decided beforehand that if the Vessel wasn’t willing to go through with the merger, they wouldn’t do it and that they, the strongest duo, would fight Master Tengen. Gojo and Geto were the strongest and Geto says that no matter what she chooses, they will protect her future.

Riko decides to go home, wherever that may be, instead of the merger, but of course, dies.

As established before, this whole concept is suspicious. Yaga knew there was something wrong with this. Gojo and Geto both knew there was something wrong with this.

In chapter 138, Yuki goes “it’s about time I confront Tengen.” This opens a box with even more questions. What does she mean by this? Why is it ‘about time’ and how casual is it for sorcerers to talk to Tengen? As mentioned before, Yaga is apparently in communication with Tengen when he needs to be. And Yuki is the one who told Geto that Tengen was stabilized after the failed merger and that the vessel was probably reborn...

Conclusion:

I honestly hope more than predict that we get to meet Riko Amanai reborn or the next SPV. Tengen is a name that is getting thrown around recently so there is no way that he is just.. not going to be relevant in the coming chapters.

I know a lot of people have found comparisons to Buddhism and the Jujutsu world, and I am not that well educated in this area, I do know that rebirth plays a big role in it. Rebirth is viewed as a negative cycle one should want to escape from called “Samsara”. I personally headcanon/theorize that the Star Plasma Vessel and the soul of Riko Amanai, is one that gets reborn constantly and is stuck in a cycle where they experience a lonely and sad life before getting a taste of a full and happy one right before the merger. In terms of the 500 year thing, the Star Plasma vessel would have first been born( created?) during sometime in the in between of the Heian Period (794-1184) and the Muromachi Period (1392-1573). The Heian Period is implied to be the Golden Age of Curses and when Sukuna was in full power despite being known in history as a peaceful time for Japan, so I definitely believe that there is some connection if my math is correct (which it probably isn’t. I hate math).

Right now in the story, vessels... are really important. According to Fake Geto, he released what is like a thousand Itadori Yujis, so I think that bringing back the star Plasma vessel would fit really well. However, they would roughly be around 12 years of age in 2018, meaning that they might not even be able to do the merger because I think the vessel has to be sixteen and older and have a full moon.

(Edit: added 4/1/21: Also, it might not be Riko reborn, but just another Star Plasma Vessel. Like Yuki says that either they had another vessel at hand, or another one was already born. So like... the new SPV might be the age of our main characters or possibly even one of the characters we already know!)

I also think it will be really interesting to see how it would play off with the fact that Gojo/Geto are no longer involved in the story. Gojo is sealed and the real Geto is dead. When thinking about how the SPV would be in the story, I imagined a picture of a younger girl in a uniform and with a braid holding the sealed Gojo and staring up at the fake Geto. I’m not over what happened to Riko Amanai if you haven’t noticed and I feel like she deserves to have this other chance. I also think it’ll set up the eventual meeting or confrontaion with Master Tengen which I’m personally dying to see.

So what do you think? I don’t really have any solid predictions other than that the SPV reborn will make an appearance, but what about you? Do you guys think Tengen will play a big part? Do you think Tengen may end up becoming a big threat or a good ally? Do you guys want to see Itadori and the SPV interact? Or am I just over analyzing this?

Thanks for reading!

#jujutsu kaisen #jjk #jjk spoilers #gojo satoru #geto suguru #riko amanai #jujutsu kaisen gojo #jjk theory #yaga masamichi #yuki tsukumo #jjk brainrot #kuroi #jjk mangacap #fun times in jujutsu kaisen #jujutsu kaisen geto

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ramblings-of-a-mad-cat · 3 years ago

Note

A hphm character tier list please!! Bonus point if added reasoning/ explanation!

Have a great day :3

I doubt there are any placements on this list that would truly surprise anyone, but let's go through the different rankings. I didn't name them, by the way. Those were the categories that were already offered. I could have renamed or recolored them I suppose, but I didn't wind up doing so. Let's go in ascending order.

"Avada Kedavra." Self explanatory. Three of these characters are absolutely evil and irredeemable pieces of trash. And then there's Lockhart. He's just here because he pisses me off. Granted, so does Rita Skeeter, but she doesn't ruin an entire dating quest. At least when she shows up, it's because it's a quest about her. Fenrir Greyback purposefully infects children and describes them as "delicious" so...yeah. I'd put him even lower if I could. Albus Dumbledore's placement is also not a surprise if you know me. I hate him with all of my hate. Patricia Rakepick is also here and I doubt I need to explain why.

"Send to Azkaban." They don't bother me as much as "Avada Kedavra" but I am still not a fan. The Volde-clown Boggart is personally annoying in presentation but also as a plot device. For Peeves, there is the Prank storyline of Year 5. Enough said. The Weird Sisters creep me out, Filch and Mundugus are generally annoying, I discussed Rita, and the Dementor literally calls Azkaban home. That leaves Wormtail. I don't passionately hate him but he's not exactly a good person either.

"Kinda Sus" This is where I placed all of the characters who I, for whatever reason, do not trust or otherwise find shady, the ones who give me a bad feeling. This doesn't have to be plot related either, for cases like Ethan Parkin or Madam Hooch, it might just mean that their behavior is sometimes questionable. Of course, this is also something of a joke, like putting the Red Cloak on the list. For someone like Moody, it's more obvious - everyone knows I don't trust him. Characters like Bilton and Madam Villanelle are technically on our side, but they could be spies. If a character is a known villain, but their agenda and the depth of their evil is unclear, like The Dark Witch and the White-Robed Wizard, they also go here. Jacob and MC being placed here is somewhat of a joke, but it's also somewhat meta. Jacob is like Moody, his intentions are still unclear to me. And the game keeps teasing the idea that MC may fall to the Dark Side.

"Do you even go here?" Wow, do you ever stop to notice how many characters HPHM actually has? And this tier list included all of them, even the ones I would never have thought of. I literally just used this category to place all of the characters who do not technically attend Hogwarts school, though in a few of those cases like Aurelie, it definitely came off as more amusing. Additionally, I used this ranking for all of the characters who could be considered forgettable. Either by the fandom or the game itself, such as the prefects and poor Elora Dunn. Look, if the tier list has to actually list their name in the picture so that I can remember who they are, maybe they don't need to make the list, that's all I'm saying.

"Don't care." Mostly interchangeable with "Do you even go here." Again, the cast is so huge, that I'm not going to go through every character that I placed here. These past two rankings can mostly act as a summation for the majority of the characters for whom I don't particularly like or dislike. Emily Tyler hasn't returned or been developed as an antagonist in a while, so I don't care. Trelawney giving another prophecy is boring and conflicts with canon, so I don't care. Cedric Diggory is one of the most in-your-face examples of fanservice I've ever seen, so I don't care. But again, not all of these are negative. I think the Red Cap is funny, even if his storyline is brief. I love seeing Dobby, Arthur and Molly. I always love seeing them. I could go on.

"Ok." For the characters who, when I look at them, my immediate reaction is a generally positive one. I could probably get interested in a fanwork about these guys. For many of them, there is great potential to be explored but it just hasn't happened very much. Diego would not have been this high a year ago, but he's been fleshed out. Characters like Andre, Duncan, and Tonks...whenever they're in the spotlight and get genuine development, I'm interested. It just happens so rarely. The same goes for the Weasley boys, for Badeea. Other characters go here because I personally like them, even if they aren't that relevant. People like Aberforth and Percy. But two people can wind up here despite being very different and my having completely separate feelings about both of them, like Alanza and Ben.

"Like." Everyone that I would probably write a fanwork about someday, if I could actually motivate myself to finish my current WIP. Talbott, Chiara, and Jae are genuinely interesting and compelling. They might not make my top five, but they would make my top ten. I will always love Flitwick and what HPHM has done for him, I don't even care. Keep in mind, this doesn't mean I condone everything that the character has done...Ismelda has a lot to answer for, but it doesn't mean she's not interesting. And Penny can be very interesting too, but usually only when she's put under intense stress. As heartless as it is to say. You may also be surprised to see Myrtle here, but similar to Flitwick, I just love what this game did with her. Some of these could rise or drop a ranking pretty easily too. Like in hindsight, maybe I should have switched Duncan and Myrtle. It's not a big deal either way, I guess.

"Must be protected at all costs." Self explanatory. For the most part, these are all my favorite characters in the game, and the ones who I would lay down on railroad tracks for. Another character who climbed higher over time is Skye. If it wasn't for how much people message me about her, I may not have gotten quite as invested. My love for Orion is well documented, Rowan is the reason I started playing this game, Beatrice was the breakout character of Year 6, and Tulip x Merula is my OTP for this game. I could gush about any one of these kids for six paragraphs but the bottom line is that they are my favorite characters. It is at this point that we have entered "top five" territory.

"GOD TIER ~ ALWAYS" Characters who reign supreme and are factually flawless. It's not surprising to see characters like Dennis and Fang up here because critters are, generally speaking, leagues above humans simply by default. We can also see her majesty Queen Bean ruling from the sky, guarded by her champion, the arbiter known as Erika Rath. You are entitled to your wrong opinion if you fail to see the divinity of these characters.

#Harry Potter: Hogwarts Mystery

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rechoired · 4 years ago

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A problem with the Tales Of Arcadia community

First and foremost, I’d like to ask anyone taking the time to read this to please read the post all the way through before commenting on the matter. There is a lot of dirty laundry to unpack here, and some points will be building off previous ones.

I’ll get right to the point. Most everybody in the Tales of Arcadia fandom will have heard of the blog imthegingerninja / ginger-le-gay. She is one of the most well-known ToA-centric blogs, after all. (If you’re wanting to avoid her on Twitter as well, her account is Margaret Bell, or @The_Book_Bell.)

This is your PSA, TOA fandom: Ginger is a toxic, manipulative person.

This is not a claim I like to make lightly, but it’s long overdue that this issue is properly brought up within the fandom.

I’ve seen so many people wonder why the Tales of Arcadia fandom is so small. Well, I and many others very strongly believe that Ginger is one of the main reasons for that, if not the main one. To make matters easier, I’ve tried to break this down into some main points. So let’s take a look at how Ginger falls under this category.

Disclaimer: Please DO NOT look at this post as an excuse to harass Ginger or any other blog mentioned here. This sort of behavior is NOT acceptable. The point of this post is to educate those who may not know the extent of her harrowing behavior, nothing more.

1. Dishonesty and Death Threats

[EDIT: Shortly after this post went up, she started blatantly lying about me to try to cover for herself. You can see those lies being easily disproven here]

Ginger has been kicked from at least three Tales of Arcadia servers, all for similar reasons of violence. While I cannot provide screenshots as I am no longer part of the servers they were in, there are multiple witnesses that can verify the disgusting behavior she engaged in. The one I saw specifically was her saying that certain members of the fandom should be gathered up and hunted for sport, among other gross things. (Elaboration of why can be found in point 3, though it still doesn’t excuse this kind of talk)

Here is some points made by another blog that also sums up similar issues with Ginger, though:

While there were multiple instances of her inciting violence towards others, this is unfortunately one topic I cannot provide specific screenshots for at this time. But I will add them in as I can find them. That being said, I want to move to the dishonesty, something I do have a screenshot for.

While you could argue that people sometimes notice the similar things, this is far too close together to be considered an “original find”. The reblog button is there for a reason, but she instead decides to steal the OP’s premise and present it as her own original thought.

There have been a couple other blogs that have confirmed that their theories and analysis posts were often stolen and presented as Ginger’s own as well, to the point where they stopped bothering even making such posts, as the above blog points out. (Out of respect for their privacy, I will not be naming these blogs. Say what you will about that possibly weakening my point, but if she’s willing to so blatantly steal from that person shown above, it shouldn’t surprise you that she’s so willing to do it to others.)

Theory-making and analysis posts aren’t as solidly “original content” as a piece of art or fanfiction, sure, but it’s still common fandom courtesy to give credit where it’s due. Ginger has intentionally avoided extending that courtesy far too many times.

2. Hypocrisy

Most of this is going to be about past Merlin vs. Morgana drama, though there are also words to be said for the incredibly shaky relationships she forms with “friends”.

But first let’s talk about those wizards.

This is a topic I’ve tried to approach with Ginger before, but she borderline refused to acknowledge any of the points I was trying to make, and when she did, I don’t know if I just wasn’t being clear or what, but it honestly looked as though she was purposefully trying to misunderstand what I was saying in her bizarre responses. (To be fair, I was sending messages out of anger because she vagueposted about a blog I admired, calling them a “disgusting creep” because of them simply saying they’d hoped Jim and Merlin would be able to actually bond at some point... Not really a justifiable reaction to such a harmless thought, in my opinion. But my point is, I recognize that the circumstances may have clouded my ability to vocalize my thoughts clearly.)

That aside, we should first acknowledge this post Ginger made to save face after having gotten some backlash about hate-train related things (Side note: I couldn’t find the original post, so this is a screenshot I got from someone else. I did not add the writing. The text underneath it should still be slightly readable, I hope.):

Taken at face value, this is a very reasonable post. I think everybody would and should be able to agree on it. Hate-meme him for fun, sure, but don’t actually harass or insult others over a fictional character. Simple, right?

Apparently not, because Ginger’s done loads of that to others. Probably why the “LOL” was added in, I bet.

This post confused me. First of all, exploring dark topics (”angst”, as you put it) has never been a rare occurrence, every fandom has that content, most in heavy abundance. I’ve noticed no staggering difference in volume of this fandom compared to others I’ve been in. People enjoy angst not because they think the character “deserves to be in pain”, they enjoy a fictional blow to their own emotions. There’s lots of different reasons people like angst, but it’s barely ever been out of a genuine hate for whatever character’s the focus, from all the things I’ve seen. Your own friends have indulged in Jim angst and body horror posts before, does that mean you think they’re awful people? I feel like I shouldn’t have to explain something like this.

Also, way to basically admit you think all Merlin stans get off on child torture. So much for “If you like Merlin as a character, you’re valid”, am I right? God, what a mess of a post. (It’s been very recently deleted, which makes me wonder if she got more backlash on it, but just... wow.)

Let’s look at another one.

Again. Vagueposting about someone specific, I’d wager, since most of the people I’ve seen comment on this topic either think both characters are morally gray, or hate both.

But of course, when it comes to Morgana, suddenly excusing bad behavior can be justified. Ginger can call someone a disgusting creep because they want a familial bond between Jim and Merlin, that’s just wrong, but pushing the Mom-gana narrative with the genocidal abuser and Toby is completely fine, folks.

(Note: I would like to point out that I really don’t care about what theories and hopes people have for Morgana. You should be allowed to love that character in any way you want, same as I would say for Merlin. My issue with these examples is the completely brazen hypocrisy in which these two characters are treated. You’re obviously allowed to love Morgana without consequence, but the same should be said for any character of the show, and yet it’s not.)

The most obvious instance of this double-standard is well observable here, I believe:

... I think this mostly speaks for itself. Sorry, but this is very blatantly trying to excuse Morgana’s actions, here.

Oh hey, remember that post about Ginger saying that liking Merlin must mean you want to see Jim in horrible pain?

Say anything similar about her with Morgana, and suddenly she takes issue with this line of reasoning!

I’m sorry, but if you can’t take this sort of thing, then you shouldn’t be dishing it out. One of your own friends is still getting hate over the simple fact of liking Merlin, and all this mentality is exactly why.

Let’s look at one more.

Fun fact! Morgana horrifically abused somebody for centuries, tried to kill multiple kids, took horrible advantage of Claire (probably traumatized her), and canonically wanted to genocide humanity, not to mention all the OTHER murders she's committed, both directly and indirectly.

But somehow pointing any of this out “doesn’t count”. This is why the fandom keeps saying more and more things like this:

And this:

I could be going through her constant hating on Merlin and people who like Merlin for days straight, but I hope you all get the idea by now.

Again, I would like to just reiterate: You can like whatever character you want for whatever reason you want. The problem with this case is the hypocrisy and mistreatment of others, not your taste in characters.

Now interestingly enough, she’s lately been singing a different tune about the guy, switching from the “I hate Merlin I hope he dies!!!” mentality to “Oh he should get a redemption arc too :)” sort of thing.

I’m highly convinced that the only reasons for this “change of heart” is because of the constant backlash she was getting for the obnoxious amount of hate posts being thrown around all the time, but also because Aaron Waltke keeps tabs on the fandom more lately, and has spoken himself about Merlin not being a villain.

I could go on about this point forever, but I think I’ll just leave the Merlin topic with this post going through the hypocrisy of the Merlin Hate Train. In fact, here’s two just for fun.

Now onto more real-world focused areas of hypocrisy. One such instance can be found in Ginger’s Janus Disorder server.

Just take a look at this post.

While the offender in this case isn’t Ginger specifically, it still takes place in her server, and she made no moves to enforce her “No discourse” rule. All over... what? A random kudos on a fanfiction that’s not even about anything controversial since all characters involved are adults? I immensely don’t understand the point of why this ever had to be an issue, or why nobody spoke up about how ridiculous this is.

I’d also like to point out a certain user called firecat17. For some quick context, waaay back in the Kung Fu Panda fandom (around 2018), this user had been harassing people and saying incredibly vile things, a person of which Ginger had a bit of a feud, but firecat’s anon threats had gotten to the point where Ginger ended up having to block their IP.

Obviously, the user firecat was the one in the wrong, here. (Also, the irony in this comment is through the roof...)

Interesting point there, Ginger. Sure would be nice if you practiced what you preached.

Why am I bringing this random old drama up, you may ask? Well, it just strikes me as strange that someone who was so vile to Ginger is suddenly on her okay-list again, sending her asks and getting casual responses as if nothing ever happened.

To be fair, there is the possibility that they worked out their differences in private. But given the severity of the kinds of words being exchanged, I would still find that rather suspicious.

When someone who’s said things so vile can be so easily forgiven, yet something as harmless as leaving a kudos on some random fanfiction is considered grounds for harassment, it’s obvious there’s no stability or room for trust among this group of people. Unsurprising when there’s been several instances of this “friend group” turning on each other.

If you think you’re somehow different, that your “friendship” with Ginger or the others is more valued than that, then I’m sorry to burst your bubble but it’s likely not true. She’d throw you under the bus at the hint of you doing something she deems problematic, as it’s happened to multiple blogs before you.

3. Demonization of and insensitivity towards s*xual abuse victims

(This topic is one that’s hard for me to talk about, being a victim of CSA myself, so I’ve gathered some different sources to do most of the main talking for me. I tried to form more commentary on this myself, but I get too emotionally charged in my responses, and I don’t want that to cloud any reader’s perception of what I’m trying to communicate here, so I’ll try to keep most of my comments brief on this one.)

One thing recently brought to my attention about Ginger and her squad that especially bothers me is their rashness in labeling people p*dophiles and p*do apologists. If these claims were true, then I wouldn’t have a problem with it.

But these people are accusing others of these horrible things and threatening them on the sole basis of fictional content.

Now before you fly off the handle at me, let me be very clear: I absolutely understand that there are gross people out there who use the “It’s all just fiction” argument to hide their actual, pr*datory behaviors. (We’ve all probably seen at least one or two neckbeard memes of that caliber)

But like it or not, exploring traumatic themes through a fictional lens is something that has been studied and proven to be a genuine coping mechanism for some. It’s not something that works for me, but I knew a few people from past therapy groups that it worked surprisingly well for. Bringing a trauma into a controlled environment and processing it through fictional means can and does help some victims deal with what they went through.

It’s important to understand that not everyone processes their experience in the same neat, little boxes you have laid out as the only “acceptable” ways of coping. Trauma fiction and expressive arts therapy are commonly used by victims, and it does help some people, whether you like it or not.

I’m already dragging this on too much, so here are some sources for better-worded information on the topic (Warning: Most of these deal with highly sensitive themes such as gun violence and s*xual abuse.)

Source 1 - Source 2 - Source 3 - Source 4 - Source 5 (pages 61 onward, specifically) - Source 6 - Source 7 - Source 8 - Source 9 - Source 10 (and believe me, if those all don’t satisfy you, I can easily supply more.)

And this quote from source 9 I think sums it up best:

“Fiction works differently. My imagination gives me a framework to process the grief and terror and the consequences, even when I myself have not found any resolution. It allows me to enter my own traumatic experiences sideways and linger inside them, if I know I can give them to characters who might be lucky enough to find the antidote: love, connection, community, family. In other words, I can enter — and exit — the trauma loop through stories that are not exactly the same as mine.

This goes for the reader also. Recent studies periodically assure us that stories — literary fiction, hardcover books, even the simple act of reading — promote empathy. We rarely have identical experiences, so fiction is how we practice linking our similar or parallel realities so we can feel them. This seems particularly useful in our current society, where we are all so separated, and are working so hard to block the violence that keeps happening to us from our minds.

Fiction connects us, and it can also contribute to our healing. When we see ourselves in worlds we don’t live in, like The Handmaid’s Tale or The Color Purple, sometimes, that very different violence helps us finally process our own. Because as much as our memoirs and testimonies are brave and validating, fiction does not just mirror our truths so they are safe to experience; it also helps us endure the aftermath. Because long after the immediate experience is over, survival struggles onward, in every moment of our daily lives.”

While most professionals have in the past advised that victims keep their trauma-related works more private, to only show it to your trusted friends or family, the fast-growing use of the internet has led more people to sharing it in an online platform, which is not unexpected behavior.

I unfortunately don’t have the screenshot of the original post, but there was a post made some time back literally telling a fandom member to go and hang themselves over this garbage. A survivor of s*xual abuse, no less. And to top that off, one of Ginger’s squad @emmy-puff commented in support of that violent post, as well as blatantly misgendering the target of it. While, again, I was unable to get screenshots, there are multiple witnesses to this instance, one Anonymous even having called them out on it back when it happened. (I suspect that Emmy deleted that answer due to how bad it made them look.) If anybody reading this has screenshots of the initial post or the ask that came of it, please feel free to share.

I don’t care who you are or who you’re talking about, if you use misgendering someone as a way to hurt them, then you are an insult to the trans community. That is an awful thing to do, and you lose so much credibility if that’s the only thing you can fall back on when getting in a fight with someone. While this post isn’t about Emmy specifically, this is exactly the kind of hateful rhetoric that’s being encouraged in the environment Ginger’s made.

Another thing I would like to point out on this matter is an instance that happened in the ToA fandom a couple years back. I, again, don’t have screenshots available (I believe the original post ended up deleted) but the post in question caused enough of a fuss that I’m sure a few people must remember it...

A while back, there was an artist that posted uncensored, untagged r*pe art of Aaarrrgghh, Gunmar, and Jim in the main Trollhunters tag. As you can imagine, this infuriated many people. Many of which are among the list of those who’ve been labeled “p*do apologists”. Almost the very minute that post showed up in the tag with no trigger warnings of any kind, the fandom immediately got on OP’s tail about it, because they all shared that basic understanding of “This is a traumatizing subject for many people and they should have the ability to avoid it”. If the people you’ve labelled as pr*dator supporters were really as awful as you say they are, they would’ve jumped to that person’s defense, too. But they were completely against OP’s horrible lack of consideration of survivors, right alongside the rest of the fandom.

Am I saying you have to like trauma fiction? Absolutely not. Are there people that make trauma fiction that are actual pr*dators? I’m sure there are. But those people would be that way whether trauma fiction was out there or not. Gross people have existed and will always exist regardless of what media is out there.

I deeply understand the controversy, uncertainty, and stress that surrounds this topic, I promise you, I do. But the fact of the matter is, some people actually do use trauma fiction and expressive arts therapy as a way of coping, as has been observed in people even from ages as young as 5. To say otherwise is blatantly untrue. This isn’t a matter of opinion or morals, this is plain, studied facts that you cannot change about human psychology.

Nobody should ever have to go through something as horrible as s*xual abuse of any kind, and I know how deeply upsetting it can be to see certain images or stories with those themes in play. Those users with a sense of decency and understanding for fellow victims will tag their posts with the appropriate warnings. After that, it’s up to you to filter out what you don’t want to see. You curate your own internet experience, and it’s just plain irrational to try and harass everyone into conforming to your rules. While it’s an 18+ blog’s job to make sure to tag and label their content appropriately, it is your job to block the things you don’t want to see, whether you’re an adult or a minor. It is YOUR job to blacklist content that you know will upset you, because it is always going to exist on the internet, and any internet user needs to know and understand that. Multiple times I’d seen people going off about posts that were already appropriately trigger-tagged. If you don’t have those upsetting tags blacklisted by now, then the fault is mostly on you in that kind of case, not the OP.

Before I end this topic off, just one more example of blatant disrespect towards victims:

I’m sorry, but the absolute nerve of comparing some random fictional character you’re petty over to an actual pr*dator who’s terribly hurt real children is just awful. Imagine how insulted one of Onion’s victims would be if they saw that. Lord.

Ginger claims to care about victims, but she’s made it abundantly clear that she only cares about those that behave the way she think a victim should.

4. Ableism

I’m going to just show a couple posts here and let them mostly speak for themselves.

Just... my God. You looked at the definition of psychopath and decided that was enough to give you qualification to speak like this about it? Do you realize the extensive work and study of human psychology goes into the diagnosis and understandings of psychopathy? Not to mention, you just admit to thinking people deserve hate because of a mental disorder they legitimately have no control over? I’m sorry, but that is just cruel. Demonization of the mentally ill is not cute or funny. Next.

While I’m still annoyed with Emmy’s transphobic treatment of another user mentioned earlier, they make a very solid point in this instance. (The first post they referenced has since been deleted, but here’s the second one speaking out against the ableism.) I feel I don’t need to add much to this, as these points have already been argued very well by users better qualified to speak on the subject than I.

5. Manipulation tactics

This part is more observations of two kinds of abuse tactics Ginger appears to demonstrate, using the above as points of reference.

First, there’s DARVO.

Then, less formally, there’s this good point about online cult mentality.

Before you say anything, obviously I don’t think Ginger thinks of herself as some sort of deity. While it could be argued that she considers herself a point of authority within the TOA fandom maybe, I haven’t seen enough of this to say for sure how far that goes. So that point can be ignored, because it mostly doesn’t apply in this case. (The “Dictating parts of your online life” might also not apply, but I can’t say for sure as I haven’t gotten any confirmation of that sort of thing in Ginger’s group.)

But there are grains of truth in the other four points, especially that last one. Plain and simple, she’s made people afraid to speak their minds about even harmless things such as character analysis.

Ginger is someone who can’t seem to comprehend different viewpoints and life experiences. She’s extremely unsympathetic towards people she doesn’t understand, as can be observed in above examples. Assuming malicious intent from everybody you can’t understand is a dangerous and hurtful mindset to have, for both you and those who you unnecessarily scorn.

There are a few outcomes I’ve speculated should she ever come to see this post.

1. She will ignore this post completely, pretending as if it doesn’t exist

2. She will dismiss me as being some sort of horrible person, a p*do apologist or something of the sort (despite being a victim of that myself, clearly she doesn’t care about who’s actually been hurt by real p*dos or not if they don’t conform to her narrow worldview), and claim nothing I’ve said bears any meaning, despite the extensive evidence I’ve provided.

3. She will get people to try and attack me.

4. She will actually address these points in a tactful, mature, and serious manner instead of her usual act of trying to dismiss everything at the slightest hint of non-conformity. (The least likely outcome, but one can dream.)

I could add to this post all day, but it’s long enough as it is and my focus was on getting the main points out of the way. I understand that I lack some of the receipts necessary to back myself up in a few parts, but I know that many other fans have bared witness to those things, so I know there will be at least some people who’ll know what I speak of is true, and that’s good enough for me.

That being said, if anybody has screenshots of the instances I wasn’t able to provide for, it would be greatly appreciated if you could add them into the conversation.

!!!-If you have screenshots, but are too uncomfortable to get involved in this, then you can private-message them to me and I would be grateful and more than happy to add them in while keeping you completely anonymous.-!!!

(I've removed the section with all the tags, as I recognize it was probably going overboard. My goal was just to spread information, not to try and involve those tagged, but I understand how that may have gotten lost in translation and made people uncomfortable. Also, it apparently was showing up multiple times in people’s notifications when I only tagged people twice, so I’m not sure why that glitch happened, but I apologize for that annoyance as well.)

Now, to end us off, my responses to questions or angry comments I’m probably going to get:

You don’t even have all the evidence! How are we to know you’re not just lying about some of this?

Admittedly, I don’t have as much screenshot proof as I would like, that’s true. But for most of the instances I couldn’t provide for, there were other witnesses to her bad behavior. I don’t really have the need to lie when there’s already a lot of knowledge out there of the bad stuff she has done. Nor do I really have the emotional investment in this fandom anymore to lie for the pointless reason of causing drama.

Why post this on a throwaway account if you think people are on your side?

I just don’t really want my main blog associated with TOA anymore, to be frank.

You tagged a bunch of people, so you must be trying to get them to attack Ginger!

No. I tagged a bunch of people because I think this information should be heard on a wider scale, considering the position Ginger has in the fandom. I don’t want her or anybody else to be attacked, but her negative impact on this fandom deserves to be acknowledged.

Again, I don’t think Ginger or any of the others deserve harassment or cyberbullying or anything of that manner, that’s kind of what this whole post is against. And it just hurts the situation more than it helps it. What bothers me is how she’s never apologized for or even once acknowledged the gross way she’s treated people. While she might be more low-key about it now, she still treats people who don’t deserve it like garbage. There are still several people upset about the damage she’s caused to this fandom, rightfully so. I wouldn’t be so loud about making this post if I didn’t think it was something worth drawing attention to.

Thank you for reading.

#TrollHunters #3Below #TOAwizards #Tales of Arcadia #TOA

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foundthe8wing · 4 years ago

Text

Okay, doing this over here because my main tumblr is usually a place for me to vibe and I don’t want all the bullshit tied to that account, but basically: I’m really angry and disappointed with the dndads cast for how they’ve put a lot of the minors in their fanbase in danger. Everything below is a repost from twitter (with permission from the OP, crypticjoy), and I’ll link the thread in a reblog.

Under a cut because it’s long and potentially triggering (content warnings for grooming, sexualizing minors, and sexual assault)

[OP tagged the relevant cast accounts; I added slashes here bc I’m not sure if those same urls exist on tumblr and I don’t want to be randomly tagging people over here]

5:49 PM Sep 5, 2020

“I don’t usually do this, but: the way that the cast of @/dungeonsanddads engages with their audience is actively dangerous to minors, and they need to get it together. (cw for discussion of grooming, sexualizing minors, sexual assault)

First off, there are some iffy jokes and situations in the podcast itself. I’m not going to get into all of it right here, but have a google doc: [doc will also be linked in reblog]

Yes, the kids in #dndads are fictional, but that doesn’t mean this stuff doesn’t affect real kids listening. a. it normalizes talking/joking about kids in that way and b. There’s a lot of inconsistancy and confusion on the lines they draw--

Paeden saying “baby” is weird but Ron sitting in Terry Jr’s lap isn’t? I’m confused. You know who the fuck relies on that type of confusion and unclarity? Fucking predators

And I’m not saying every in-character decision has to be perfectly moral or acceptable, but the way the cast, out of character, discuss what’s weird and what’s not sends a lot of mixed messages. And that’s legitimately dangerous.

So then you take all of this, and you add a patron discord server that lets nsfw discussions run virtually unchecked--you create a fandom space that allows adults to discuss kinks, and porn searches, and just, all this other stuff, with teenagers...

... and it becomes a breeding ground for grooming and abuse.

The creators aren’t responsible for babysitting their fanbase or for how people engage with their content outside of their spaces (though, again, I’d urge them to be very careful about what kind of messages they’re sending)

But they ARE responsible for taking basic steps to keep the spaces that THEY create and engage with safe.

“But the rules for the server say 18+!” The rules say you have to be 18 *or have parental permission.* They also say to keep things PG-13. That’s vastly different than establishing something as an adult-only/nsfw space.

“Minors shouldn’t be joining/listening anyway!” The cast can’t control who listens and neither can I, but there’s a difference between knowing teens are listening to you discuss sex with your adult friends vs facilitating conversations between teens and adults on those topics.

“If people are uncomfortable they can just leave.” First off, this situation isn’t just uncomfortable, it’s unSAFE. Second: fuck that. It’s not on minors to set and maintain boundaries about this stuff; a lot of them literally do not know how

Not because they’re stupid, but because they’re young and inexperienced. It’s the responsibility of adults to set and enforce healthy boundaries around sexual discussions, and this particular group of adults has done a fucking terrible job

(Maybe don’t encourage listeners to DM you about kinks! Maybe especially don’t do that when you’ve communicated, intentionally or not, that making and escalating sexual jokes is a really good way to get a reaction from you guys)

I get that they didn’t expect to have so many young listeners, but to be aware of that fact and make no adjustments whatsoever is irresponsible and it WILL lead to someone getting hurt. Does their “young, thirsty, female” audience only exist to them when they can laugh about it?

And let’s be absolutely 1000% clear: this isn’t an issue they’re unaware of. The stuff I’m talking about is an ongoing problem with how their server is run, but it came to a head with one specific situation very recently:

They released a bonus, patron-exclusive episode about the dads taking the bdsm test. Given the general state of the server, I was worried about where those discussions might lead, so before it dropped, I reached out to @/anthony_burch to express my concern

He told me he raised the issue with @/fwong and Ashley, meaning at least three members of the dndads team were aware of the situation, and decided it didn’t warrant any type of preemptive action on their part

(alternatively, it means Anthony lied, which would be a whole separate issue)

[Image ID: a discord DM conversation from Sep 1, 2020, between a crossed out username and reverendanthony. It reads:

OP: heyyyyy have you guys considered that releasing an episode focused on the bdsm test is almost inevitably going to lead to a bunch of 15 year olds sharing their results in your server because you might want to get ahead of that before someone gets hurt

reverendanthony: oh holy shit, really good idea

OP: thanks, I know it's easy to veer into that territory just because of the nature of your show but I wanted to bring it to your attention because I figured you don't want to create a situation that's like, actively dangerous (and for the record I'm willing to discuss what I think would make it safer but I'm also not going to assume you want/need my input, obviously you can handle it however you see fit)

reverendanthony: No, thank you for bring it up, I really appreciate it -- I just raised the issue with Freddie and Ashley

OP: Good to know, thank you /End ID]

I’m not overreacting. I have seen this shit happen, to my friends and to myself, and watching the dndads cast take absolutely no meaningful action to prevent situations like that from occurring directly under their noses makes me fucking livid

I can guarantee that the #dungeonsanddaddies fanbase includes both predators and survivors of abuse, grooming, etc (including those currently living through it), and I need them to think very, very hard about which group they’re prioritizing.

And I need that choice to be evident through more than just their words, because it doesn’t fucking matter how much you “really appreciate” that I brought up my concerns if you do fuck-all to address them.

It doesn’t matter how many times you say the word “consent” if apparently everyone was okay that “Darryl gets sexually assaulted” was almost a plot point played for laughs.

(His dare from Scam would have been rape, straight up. Just because no one said the word doesn’t mean it wasn’t coercive and gross).

I’d like to think the @/dungeonsanddads cast isn’t intentionally encouraging abuse, but they’re sure as hell enabling it, and they needed to get their shit together ages ago, because they’re not the ones their negligence hurts.”

Quote retweet by OP 6:51 PM Sep 7, 2020

“So, they updated the rules for the patron server, but I want to be really clear that from my perspective, it’s way too little, way too late.

The new rules don’t adequately address the core issues and they certainly don’t absolve the cast of the harm they’ve already caused.

[Tweet includes 2 screenshots: one of a bot asking people to click thumbs up to confirm they’re 18+ (or have a parent’s permission) and agree to the rules, and one that includes two of the rules. It reads:

“This is an 18+ space. Them’s the rules: per Patreon’s policy, you must be 18+ or have parental permission.

Use language as if you’re at your parents dinner table. Don’t get people in trouble because of your SPICY POSTS. Keep conversation polite. NSFW content is not allowed!”]

(and before anyone says I should bring up my concerns privately, a quick refresher on how well that went last time I did it:)

[links back to the “(alternatively, it means Anthony lied . . .)” tweet from the original thread]

So hey, @/fwong, some thoughts:

1.The rules are vague and unclear: what /exactly/ do you mean when you say “NSFW content is not allowed!” when the content of your show itself is so often nsfw? And how are you planning to enforce this?

Does it mean you’ll shut down the MBIC conversation that is literally just kink discussion? I need you to be clear on where the line is, because, again, predators rely on that confusion. Don’t give them a gray area to play in.

For an example of a more clear policy, it’s pretty easy to say, “yep, ‘Henry gets pegged’ sure is a sentence we said on our show and you don’t have to pretend it’s not, but if you’d like to discuss it in any more detail at all, you need to move”

2. Remember how I said I needed to be clear on whether you’re prioritizing survivors or predators? While I doubt it was intentional, the language you’re using here is prioritizing predators.

It’s not “don’t get people in trouble,” it’s “don’t make people uncomfortable.” It’s “we all have a responsibility to make sure this space is safe for everyone, especially the younger members of the community.”

You’re setting people up to be afraid of expressing concerns for fear of “getting people in trouble” or “inciting unnecessary drama.” Even if it’s not what YOU meant, it’s very easy for those words to be manipulated, so +

You absolutely have to be explicitly clear that if someone expresses their discomfort, you’ve got their back. Being safe is more important than being polite.

3. I need every cast member to take responsibility for their own actions. I’ve gotten no indication from any of you that you understand the ways in which the in-show things I brought up were harmful.

Acknowledging that harm is important not just because of the immediate effects of that content, but also because it implicitly sets an example for how similar complaints should be dealt with going forward.

When someone says “hey, I was uncomfortable that you seem fine with the Glennary ship, because she reads as very young to me,” I don’t need a dissertation on how the perception of characters can evolve due to your improvisational nature

I need to hear “oh, I interpreted her differently, but you’re right, we should have been more clear, and I’m sorry for making you uncomfortable.” Because your responses to your own mistakes set the tone for any other situations like that going forward.

How comfortable is someone going to be with coming to you, or Ash, or any of the mods about someone making them uncomfortable if they’ve seen that when people call YOU out, they’re argued with and shut down?

Don’t tell people you’ve “made it clear that you won’t go there” when they tell you that you ARE there. Listen to them and do better.

Set the expectation that people will be respected when they raise their concerns. “If you want to come at me you have to bring the heat” is not an appropriate response on a subject that made people genuinely uncomfortable.

In essence: set people up to be supported and protected, not dismissed.

[It’s like a matriosche of tweets over here. This one links to another thread, also by crypticjoy. That thread reads:

A non-comprehensive guide to keeping discord servers safe for minors:

1. Make designated channels for nsfw/18+ discussion. Generally speaking, this is a lot more effective than banning those discussions altogether, because it’s a lot easier to say “hey, can you move this conversation?” than “hey, I need you to stop”

In fandom spaces, it’s usually a good idea to have separate channels for talking about nsfw fiction vs discussing your personal sex lives.

2. Give everyone minor/adult roles; make sure your 18+ channels are locked to people who don’t have an adult role. It’s important that there’s more of a barrier there than just checking a box.

3. NSFW channels shouldn’t necessarily be a free-for-all; be aware of people’s boundaries and respect them (for example, r*pe jokes aren’t funny or okay, even if you’re not making them around kids)

4. Explicitly state in your rules that people should feel free to come to mods if anyone is making them uncomfortable. Actually listen to people and resolve the situation if they do approach you.

5. Make it clear that creepy behavior via DMs or other means is also not tolerated--you can’t control what people do outside your server, but you can make the choice to not allow people like that in your space

6. Make sure mods are on top of things BEFORE people have to say anything; sometimes being a mod means being willing to be the “asshole” who shuts things down before they get out of hand, even if they’re not asked.

Be generally aware of signals that people are uncomfortable or that things are escalating too far, and address those situations sooner rather than later.

*It should be noted that safety involves a lot of components beyond just containing nsfw discussions; this thread just happens to be focused on that one specific element.

oh also! It's a good idea to provide resources on grooming so people know what to look out for [links to some resources; again, this’ll be in the reblog]]

So, @/dungeonsanddads, if you’re interested in anything beyond just having a flimsy excuse you can point to to cover your own ass, I’m gonna need you to try again.

Sorry I can’t be nicer about it, but I’ve given so many benefits of the doubt I could be running a successful charity, and this isn’t an issue I’m willing to drop.

10:02 PM

Thought I was done but actually I've got a few more questions: to what extent were @/HeyBethMay, @/WillBCampos, and @/mattLarnold included in conversations about this issue/the new rules? Is this something your whole team is involved in?

Have you discussed what you're doing on a team and individual basis to keep your fan interactions safe, and are you on the same page about how much it matters? Are you holding each other accountable? Is everyone okay with where this ended up?”

#dungeons and daddies #dndads #cw grooming #cw SA #8wing

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canyouhearthelight · 4 years ago

Text

The Miys, Ch. 108

And we are somewhat caught up! My queue has run out at least, and I’m astoundingly glad it has, because now I get to thank a bunch of people who have just detonated my inbox with love, and kept me going.

Before I get into the gratitude: If, at any point, a comment a character makes does not make sense, please let me know. Send an ask, even on anon, because I am well aware that everything in my brain does not get a chance to make it in the story (example: Charly’s triangle comment here, and the fact that Noah’s dialogue in the beginning has an actual translation…)

First, shoutouts to @charlylimph-blog, @baelpenrose, and @quantumizedinsanity for the characters in this chapter and for being very, VERY dear friends to me. A global pandemic and nationwide protests, along with a job change and a major move, have done nothing to hurt friendships that are already cross-country from each other.

Annnnd to everyone who has been blowing up my notes with likes and reblogs: @dierotenixe(hang in there! i PROMISE!), @iamverypotato,@itscryptifssil, @steadynightninja, @thepalemarcher, @feral-possums-in-the-bog, @26fancyraptors(MISSED YOU!), @werewolf2578 (we don’t talk enough, how are you!?), @experimentalspades, @odd-dream-worlds, @duchess-katala03, @pineapplewitchboi, @dark-choclat-cupcake, @littleshydragon, and all the others.

I held my breath, bracing for what I knew was coming. Nothing came after several minutes, to my surprise. I slowly lifted my head and opened my eyes, focusing on drawing deep, even breaths. Maybe he got bored and wandered off. Maybe he had mercy on me….

Yeah. And maybe Grey is making genetically modified fish that fly.

Slowly, carefully, I grabbed my fork and lifted a bite of pie to my mouth. A glance at Charly showed a serious expression, nothing given away. Damnit. I knew she could see Arthur behind me, I was hoping for a telltale giggle, or a warning glance, something. Right when a traitorous voice of reason spoke up belatedly to point out that Charly was never serious…

“You really will adopt anyone, won’t you?” Arthur asked as he came around to take the chair Jokul had just vacated.

Fuuuuuck…. Busted. “I didn’t adopt him!” I tried to argue. “I actually made a very concerted effort to avoid that!”

Unceremoniously, he snagged Charly’s pot pie, only to have his hand held at fork-point until he let go. Without even acknowledging the lunch-standoff, he leaned back in the chair and crossed his arms. “You tried to ‘avoid’ it by foisting him off on Zach Khan, your… nephew, thing, and his girlfriend. Still adoption-adjacent.”

“Doesn’t mean I have to interact with him.”

“Uh huh. And how will you explain to poor Hannah that dear Ivan’s partner isn’t invited to Insert Winter Holiday dinner, hmmm?”

“I hate you.”

“Lies and deceit,” he rebutted calmly. “You adopted me first. Before anyyyyone on this ship. I daresay you’re quite fond of me.”

I scowled at him, shoving my remaining lunch in his direction. “Here, before you start poaching this direction.”

An eyebrow arched in the general direction of my fish pie. “That looks suspiciously like dairy. You wound me.” Grabbing my fork, he poked at the lumps of meat. “I would have thought you would be at least a little subtle in any assassination attempts. Have I taught you nothing?”

“Of course you taught me something,” I cooed, jokingly, while I patted his arm. “The fastest way to a man’s heart is six inches of steel through the ribs, slight upward angle. Cyanide smells like bitter almonds, so always use shortbread cookies to administer it. Three pounds of pressure will tear off a human ear, and even a three year old can bite through fingers,” I recited. “Also, the pie is dairy-free, surprisingly. The ‘cream’ is silken tofu and aquafaba, turns out.”

Charly was choking with laughter, while Arthur finally smiled at me. “See, I told you that you love me,” he gloated before scooping up a scallop and some crust. As soon as he started chewing, his expression changed from one of amusement to something strikingly similar to Mac when I flick water in his face.

“Scallops,” I explained. “I had the same reaction.”

“Heathens,” he managed around the mouthful. After he swallowed it, he gave the dish a considering look. “Not bad per se, but… There is no fish in this fish pie. What is aquafaba?”

“Chicpea juice. Usually it’s used as an egg substitute. I guess they used it for consistency here.”

Charly leaned forward, narrowly avoiding landing an elbow in her lunch. “And how can you tell that’s what’s in there?”

Glancing over at his student, Arthur shrugged. “She has a point. This,” he poked at the sauce, “looks like heavy cream.”

“Tastes kind of nutty, though,” I explained. “Anyway, enough about food. What brings you down here?”

“Galactic Core Curriculum,” he explained. “That’s the excuse anyway. Alistair - Cthulu damn his soul - told me you were eating lunch here after fifteen minutes of questioning. Tyche told me Charly was with you, so I figured lunch with you, lunch with one of my favorite students, plus I can kill two errands with one meal.” Charly stared at him like he had lost his mind, but he ignored her. “When I arrived - lo! What to my wondering eyes should appear, than a certain former cult leader harassing said friend and student! What person could resist such a temptation.” Deflating dramatically, he scowled at me. “Imagine my delight to hear you giving him relationship advice,” he intoned flatly.

“I got him to go away,” I pointed out.

“Before I managed even one strike in a highly one-sided battle of wits.“

“Mr. Farro,” Charly cut off, glaring for all she was worth. “Jokull came in peace, he leaves in peace.”

“Oh, he would have left in pieces. His ego anyway.”

“Fucking triangles, I swear,” Charly muttered, attacking her lunch with renewed violence.

“Anyway,” I forged ahead. “Jokul was here for fifteen, twenty minutes. You had your chance.”

He glanced away with a cough. “I… may have been resisting the urge to vomit.”

“Arthur.”

“Relationship advice is… not in my skillset,” he admitted. “Tell you your partner is abusive? Can spot a mile a way. Great for getting people out of bad relationships, with concierge crowbar service if necessary. Not great for saving them.”

“Crowbar? Really?”

“You know, for prying people out of bad situations?” He genuinely looked confused, so I left that one alone.

“For what it’s worth, Jokull wanted to talk to you about what he’s going through right now,” Charly added.

“Why in any galaxy…”

I had to laugh at that one. “Everyone treats him poorly,” I shrugged before giving Arthur a pointed look. “He’s having a rough time right now, feels like he has no one to talk to except Ivan, and thought you would have some insight into that kind of thing.”

“What part of this,” he gestured to himself with a fork, “implies anything remotely close to wanting people to like me and therefore actually knowing how to accomplish that.”

“I’m not even going to dignify that with an answer,” I muttered.

Giving me a hard, thoughtful look, Arthur’s entire demeanor changed. “Ah… On a more serious note, though… yeah. I don’t get why people not liking you is a problem, but you’ve told me before it’s something that bothers you, so it’s feasible it bothers other people. I’ll make a point not to make it worse.”

Clearing my throat, I pushed the conversation on to the next topic. “You mentioned two errands earlier. One for me, one for Charly?”

“Right.” The relief to be changing topics was palpable. “For you, Councillor, Galactic Core is almost finished. Eino is already considering other ongoing-education programs, and you’re going to need to start scouting educators again. That late-twentieth through contemporary Terran history course? Big support-base, turns out.”

“You wouldn’t tell me this without a reason,” I pointed out. “And you’re a History teacher. Volunteering?”

“I want it done right,” he admitted. “The idea being bounced around isn’t for a requirement that everyone take the course. Not at the same time, anyway. History-focused educators only, approved curriculum.”

“Approved?” I asked. “By whom?”

“A committee,” he shrugged. “Eino, obviously. Xiomara, with her background - which, by the way, is ridiculous - “

“We know, we know,” Charly and I groaned.

After glancing between us for a moment, Arthur continued. “And me.”

“Why you?” I asked. “No offense, just trying to understand.”

“No offense taken, I’ll explain that part later, but I promise it’s for a legitimate reason. The point is, Eino and his committee approve the curriculum and number of slots. You and Tyche make the decisions for who is allotted where.”

“Fair point,” I conceded.

“Fine. The area of history I focused on for my Master’s degree has an important component that ties a lot together and makes revisionism harder - wait. What?” I could almost hear the gears squealing as they ground to a halt. “Did you just say yes?”

“Basically, yeah.”

“That was… disturbingly easy,” he gave me a skeptical look. When all I did was grin, he slowly turned to Charly. “As for you, I wanted to talk to you about the assignment that’s due next Friday.”

“I already turned it in,” she pointed out.

“Which is what I wanted to talk to you about. It’s a week and a half early.”

“Right….” she nodded slowly. “And I made sure it met all the criteria on the syllabus. Plus I had three different people proofread it.”

“All of which is admirable, and it would be considered a very well-done assignment,” he admitted. “If you didn’t have an extra week and a half left to make it even better.”

“Mr. Farro….”

“You aren’t in trouble, in any way shape or form,” he reassured her. “But I know you are capable of doing better than the assignment you already gave me. I wanted to offer you a deal.”

“What kind of deal?” Charly asked suspiciously. “This isn’t illegal, is it?”

“What? No…” he sputtered. “Illegal!?”

“Gotta be sure,” she nodded sincerely. I was reasonably certain she was giving him a hard time, but it was still hilarious to watch.

Shaking his head, Arthur did his best to recover. “The deal is this: if you stick with the assignment you already sent me, I’ll grade it as it stands. But. If you re-do it and hand it in on the original due date, you’ll be eligible for extra credit for your extra effort.”

“But I still get the grade on the one you already have, either way?” she asked skeptically.

“I’ve already graded it, and you won’t get a worse grade if you re-do it,” he promised.

“I’ll think about it,” she hedged carefully. “That paper was a lot of work.”

“That’s fair,” he nodded. “What if you sent me an audio recording, instead? No extra writing.”

“I can do that,” she agreed, sticking out her hand. After Arthur shook it, she glanced at the time. “Shit. I gotta go. Sophia, don’t be late back to work, okay? Tyche won’t care, but Alistair may stop letting me have extra marshmallows in my cocoa when I come by your office.”

After she left, I gave Arthur a very serious look. He tried to ignore it, but after about five solid minutes of The Squint, he caved. “For the love of… She’s smart, okay? You know, I know it. The paper she handed in a week and a half early was much more insightful than anyone else in the class. They were assigned a research paper on the underlying causes of the breakdown in relations between the Ekomari and Shalt-kri’i. Everyone focused on political ideologies, trade resources, navigational route control. Standard causes for war, from a Terran perspective. Do you know what Charly Harper wrote her paper about?”

“Food?” I asked, going out on a limb.

“So close! Cultural differences, plain and simple. Ekomari are vaguely mammalian, and their diet consists of native arthropods. Guess what Shalt-kri’i look like?”

“You’re kidding me…”

“Not even slightly. And! To add insult to injury, in a very close to literal sense, Shalt-kri’i greet each other as friends by spreading their appendages, a lot like a hug. Whereas Ekomari show aggression by… standing up on their hindmost appendages and spreading the rest to look bigger.”

“And no one caught this before?”

“Not on the Ark, no.” He spread his arms wide. “No one even considered it. Sure, the rest are good points, and they did make everything worse, more than likely, but the start? She nailed it.”

“Then why have her re-write the assignment?” I was honestly confused at this point.

“The way she wrote it, I could tell she wasn’t confident about the answer at all.” He looked about as frustrated as I had ever seen him. “You get her talking about engineering, or pranks, she knows she knows what she is talking about. I want her to know that she is just as right about this as she was about that.”

Hard to believe that this was the same man whose office I had marched into, out for a pound of flesh and the blood besides, because the same woman we were discussing left his class in tears and begged me not to make her go back. However…

“Honestly?” I ventured. “I want to hear this recording when she hands it in. I’m really curious about this.”

“You think she’ll write it?”

“Pfft,” I scoffed. “I know she will. You gave her a challenge where she can’t lose, but stands a lot to gain. I just hope you’re ready for that sound file.”

“I honestly can’t wait,” he smirked.

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#the miys #humans are weird #humans are space orcs #found family #aspec #science fiction #original science fiction #earth is space australia #humans are space fae #hfy #fiction #original fiction #my writing #apocalypse #aliens #post-apocalypse

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